Neumann was founded in Germany and is celebrated for its pioneering work in microphone technology, producing iconic studio microphones like the U47 and U87. Acquired by Sennheiser in 1991, it continues to excel in producing high-quality audio equipment widely used in the recording and broadcasting industry, known for its exceptional sound quality and precision.
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High-precision drivers, Mathematically Modelled Dispersion™ (MMD™) waveguide Linear frequency response 44 Hz … 21 kHz (±3 dB) Linear phase response 120 Hz … 16 kHz (±45°) with latency <2.6 ms
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Linear sound balance, like Neumann’s acclaimed studio monitors Excellent isolation allows working in noisy environments High long-term comfort, easy transportation
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Total Power: 245W Class D Frequency Response: 39Hz-21kHz Maximum Peak SPL: 118dB SPL @ 1m
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Total Power: 245W Class D Frequency Response: 39Hz-21kHz Maximum Peak SPL: 118dB SPL @ 1m
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The world’s most famous studio microphone Classic sound, instantly recognizable yet versatile Three polar patterns: omni, cardioid, figure-8
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Easily installed compact cabinet with a very deep bass response DSP engine optimizes output to achieve reference class sound Neumann.Control App for iPad® to set up, align and operate in a system
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Studio quality sound with outstanding resolution High sound isolation in loud environments Special edition in black with internally balanced cable for improved spatial resolution
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The world’s most famous studio microphone Classic sound, instantly recognizable yet versatile Three polar patterns: omni, cardioid, figure-8
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• Two-channel state-of-the-art transformerless microphone preamp • Two studio-quality instrument inputs with very high impedance • Switchable low cut removes rumble without signal degradation
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Classic tube circuit, transformer balanced Reissue of the legendary Neumann U 67 Made to original specifications using archived documentation
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For stereo setups with KH 80 DSP and all pairs of analog (non DSP-based) Neumann monitors using the KH 750 DSP subwoofer Individually calibrated measurement microphone Room adaptive target curve
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Compact bi-amplified studio monitor with a high efficiency Exceptional bass depth and transient response from 52 to 21k Hz Precise dispersion, optimized for near-field applications
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EA 1 mt elastic suspension The EA 1 is intended for the TLM 103, TLM 127, TLM 193 and M 147 Tube microphones. The swivel threaded connection has 5/8"-27 gear, with adapter for 1/2" and 3/8" tripods.
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SG 21 - tripod clamp for small microphone The SG 21 tripod joint has a plastic clamp for holding small microphones. It has a 5/8"-27 threaded connection, with adapter for 1/2" and 3/8" tripods.
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Ø 20 cm, mounted on gooseneck, L: approx. 30 cm Pop screens offer very effective protection against so-called pop noises (e.g. explosive sounds like “p” or “t”). They consist of a round, thin frame covered on both sides with black gauze.
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High-precision drivers, Mathematically Modelled Dispersion™ (MMD™) waveguide Linear frequency response 44 Hz … 21 kHz (±3 dB) Linear phase response 120 Hz … 16 kHz (±45°) with latency <2.6 ms
|
In stock |
In stock 
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