Single Channel Microphone Pre-amps

- 48V, Line, DI & Low-Z knobs now in British style

- The power button has become a power switch

- The phase button has become a phase switch

For Ribbon & Dynamic microphones

27dB amplification (@3 KOhm load)

Ultra low noise Class A JFet amplifier

For all types of microphones

Enables output drive to long cables

Adds 23dB amplification

For ribbon and dynamic microphones

Ultra low noise Class A JFet amplifier

Custom nickel core transformer

For condenser microphones

18dB amplification (@3k Ohm load)

Ultra low noise Class A JFet amplifier

For Ribbon and Dynamic microphones

Great addition to neutral sounding preamps

29dB amplification

Dynamic mic booster adds extra gain to your sound

High-quality preamp provides up to +25 dB of gain

Phantom powered with no need for external power supply

UK made Carnhill Transformers

UK made - Blore Edwards EQ dual-concentric switch potentiometers

Inductor based 3 band EQ

Tube Mic Preamp & DI, Desktop Model

The SOLO/610 transmits the classic Putnam 610 console sound to the one-channel format.

For Ribbon and dynamic microphones

6dB per octave high-pass filter with corner frequency of 220Hz

27db amplification

High-end pre-amplification for all microphone, instrument and line-level sources. Specifically designed for studio-grade condenser mics

Perfectly matches your studio, live and hard disk recording set-up

Ultra-flexible Preamp Modeling allows you to op

For matching the microphone signal to mixers or preamplifiers

Attenuation: 10 dB, 20 dB, 30 dB

Also suitable for microphones with phantom power

Vintage Style class-A electronics. No integrated circuits in the signal path. No surface mount components.

GAIN switch range 20 70 dB.

Selectable two position high frequency AIR boost eq, 3 or 6 dB @ 30 kHz.

Pristine Midas-designed preamplifier for all microphone and line-level sources

Perfectly matches your studio, live and pro recording environment

High-quality mic processor allows you to optimize your recordings

Everything you need for studio quality recordings of microphone, instrument, line-level and podcasting

Get an audiophile quality recording "out of the box" including C-1 condenser microphone and MIC500USB vacuum tube preamp

Big 312A-style gain

Cinemag input and output transformers

Front panel D.I.

EQ & Mic Pre

Big 1073-style gain

Cinemag input and output transformers

Variable output attenuation for control over transformer saturation

Dynamic mic booster adds extra gain to your sound

High-quality preamp provides up to +25 dB of gain

Phantom powered with no need for external power supply

A passive -15dB attenuator plug which lets phantom power pass through.

Tube Mic Preamp w/Limiter and Selectable Input Impedance, USB Interface

Perfectly matches any studio or live recording setup

Hand-selected 12AX7 vacuum tube with UTC technology for exceptional warmth and low noise

The Cloudlifter CL-1 is self contained, driven only by the phantom power from your mixer or preamp.

It's all about impedance and gain. While some of the best sounding microphones out there are low-output dynamics and ribbons, pre-amplification can be challenging due to the gain and impedance requirements.

Single Channel, Class A, 1073-style British Microphone Preamp

UK made Carnhill Transformers

Hand wired, hand assembled