Allen & Heath ZED 12 FX

Even with its small footprint, the 12FX squeezes in 4 auxiliary channels and swept semi-parametric EQ on top of the already impressive feature set including configurable USB audio in/out makes it easy to capture stereo recordings. Complementing the existing ZED series, the ZED FX has been developed around at FX chipset purely for the new model. Our DSP engineers have been working hard, crafting and refining beautiful reverb algorithms. The effects are available nowhere else - this quality and integration is only available from the ZED FX. Set 16 essential time-delay effects add to the already bulging feature. The mixer is still ideal for small groups who do not want to carry around in effects unit with their gear but who want great quality FX at their gigs and on their recordings. ZED FX are easily controlled using 3 buttons and 9 LEDs. Quickly tap the ideal delay time or 'dial-in' the per fect amount of reverb on the lead vocal. One-stop navigation and editing ... In fact, just as easy as your effects pedals. Hold down the TAP button and press the up or down button to alter the effects parameter, for example on patch (9) Plate, this would adjust the decay length. The ZED FX is designed to FulFil all the functions a small band would need without their own sound engineer. The layout and features have been arranged to be logical and instantly recognisable at a dark gig-a mixer you can trust to per form The USB audio interface, with its uniquely flexible capability, Allows different signals to be sent to USB, from LR or from selected aux buses. The USB return signal can be routed straight to the LR mix or to a stereo channel. The connectors are placed on the top surface for easy plugging & patching, and the construction, with individual circuit boards firmly nutted to the top panel, is as rock solid as Allen & Heath's top of the range ML Series mixers. The ZED FX range currently comprises of the ZED-12FX and the 22FX. Between them they offer a solution for any small group or singer songwriter needing up to 16 mono inputs and 3 stereo inputs. Keyboards, microphones, samplers, the sky is the limit. Each mono channel has an insert point, Allowing in-line effects such as compressors to be added to the signal chain, just like our large format mixers.