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Gibson Studio
Sometimes less is better. In the case of the Les Paul Studio from Gibson USA, however, a little less is breathtaking! Ever since hitting the streets in 1983, Gibson's Les Paul Studio has been the ultimate offering of traditional Les Paul performance with a modern, no-frills attitude. Introduced as a guitar mainly for studio musicians, the Les Paul Studio has become one of the most desired - and popular - Les Pauls for its tremendous harmonic and sonic qualities. All of the essential elements of a Les Paul Standard are there, including a carved maple top, solid mahogany back and genuine Gibson humbucker pickups. What the Les Paul Studio lacks in extras, it makes up for in performance. If you don't believe us, ask any one of the thousands of musicians who call it their No. 1 axe. The Les Paul Studio is one of Gibson USA's best-selling instruments. Don't you want to find out why?
Fast & Comfortable Rounded Neck Profile
Gibson's traditional rounded neck profile, which graces the neck of each Les Paul Studio, is a thicker, rounder profile, emulating the neck shapes of the iconic Les Paul Standards of the late 1950s. Each neck is machined in Gibson's rough mill using wood shapers to make the initial cuts. But once the fingerboard gets glued on, the rest - including the final sanding - is done by hand. That means each neck ends up with ever-so-subtle differences that make each one as exceptional - and unique - as the next.
Crank out modern tone with a vintage edge
Gibson's 490T and 490R pickups ("T" for treble, and "R" for rhythm) have the traditional characteristics of the original "Patent Applied For" pickups of the late 1950s. These pickups take advantage of wax potting, which does away with any air space inside the pickup, therefore lessening the chances of microphonic feedback. The result is a humbucker with the tonal characteristics of an original PAF, with a slight increase in upper mid-range response. The Gibson 498T bridge pickup is the 490's ideal complement. Taking the 490 one step further, the 498 swaps the Alnico II magnet to an Alnico V, thus making it slightly hotter with emphasis on mid-ranges and highs. The pole pieces on the 498T are also aligned a little further apart to accommodate the spacing of the strings at the bridge, which is different than the spacing of the strings at the neck.
Ebony or rosewood fingerboard: get the best of both worlds
The fingerboards on Gibson's Les Paul Studios are constructed from the highest grade rosewood and ebony on the planet. Both are personally inspected and qualified by Gibson's team of skilled wood experts before they enter the factories to be fitted onto the neck of the Les Paul Studio. The resilience of these dense and durable woods makes these fingerboards extremely balanced and stable, and gives each chord and note unparalleled clarity and bite. The 12-inch radius of the fingerboard provides smooth note bending capabilities and eliminates "dead" or "choked out" notes. The ebony fingerboard is only available on the Classic White Les Paul Studio, and the rosewood fingerboard is available on the Ebony, Wine Red, and Fireburst models.
Enjoy enhanced tone with Gibson's lightweight, chambered body
The expert craftsmen at Gibson USA carve carefully mapped-out chambers in the Les Paul Studio's solid mahogany back using a Computer Numeric Controlled (CNC) router before the maple top is glued on. The positioning of the routes was established after careful examination of the resonant characteristics of the Les Paul. Gibson approached this process with the awareness that every change to the formula would have repercussions on the instrument's sound. So, in addition to relieving the stress on a player's back and shoulder, these lighter Gibson guitars also enhance the tone palette in a manner unique only to these guitars. The results are comfortable, lightweight guitars that are acoustically louder, with increased sustain and resonance.
Fast & Comfortable Rounded Neck Profile
Gibson's traditional rounded neck profile, which graces the neck of each Les Paul Studio, is a thicker, rounder profile, emulating the neck shapes of the iconic Les Paul Standards of the late 1950s. Each neck is machined in Gibson's rough mill using wood shapers to make the initial cuts. But once the fingerboard gets glued on, the rest - including the final sanding - is done by hand. That means each neck ends up with ever-so-subtle differences that make each one as exceptional - and unique - as the next.
Crank out modern tone with a vintage edge
Gibson's 490T and 490R pickups ("T" for treble, and "R" for rhythm) have the traditional characteristics of the original "Patent Applied For" pickups of the late 1950s. These pickups take advantage of wax potting, which does away with any air space inside the pickup, therefore lessening the chances of microphonic feedback. The result is a humbucker with the tonal characteristics of an original PAF, with a slight increase in upper mid-range response. The Gibson 498T bridge pickup is the 490's ideal complement. Taking the 490 one step further, the 498 swaps the Alnico II magnet to an Alnico V, thus making it slightly hotter with emphasis on mid-ranges and highs. The pole pieces on the 498T are also aligned a little further apart to accommodate the spacing of the strings at the bridge, which is different than the spacing of the strings at the neck.
Ebony or rosewood fingerboard: get the best of both worlds
The fingerboards on Gibson's Les Paul Studios are constructed from the highest grade rosewood and ebony on the planet. Both are personally inspected and qualified by Gibson's team of skilled wood experts before they enter the factories to be fitted onto the neck of the Les Paul Studio. The resilience of these dense and durable woods makes these fingerboards extremely balanced and stable, and gives each chord and note unparalleled clarity and bite. The 12-inch radius of the fingerboard provides smooth note bending capabilities and eliminates "dead" or "choked out" notes. The ebony fingerboard is only available on the Classic White Les Paul Studio, and the rosewood fingerboard is available on the Ebony, Wine Red, and Fireburst models.
Enjoy enhanced tone with Gibson's lightweight, chambered body
The expert craftsmen at Gibson USA carve carefully mapped-out chambers in the Les Paul Studio's solid mahogany back using a Computer Numeric Controlled (CNC) router before the maple top is glued on. The positioning of the routes was established after careful examination of the resonant characteristics of the Les Paul. Gibson approached this process with the awareness that every change to the formula would have repercussions on the instrument's sound. So, in addition to relieving the stress on a player's back and shoulder, these lighter Gibson guitars also enhance the tone palette in a manner unique only to these guitars. The results are comfortable, lightweight guitars that are acoustically louder, with increased sustain and resonance.