Instrument Microphones

Rugged metal body

Advanced shock-mount design

Super-cardioid pick-up pattern

supercardioid, 40...18000 Hz

The supercardioid e 906 instrument microphone was especially designed for guitar amplifiers, but it is also an excellent choice for percussion and brass instruments.

The legendary Shure SM57 is exceptional for musical instrument pickup and vocals.

Dynamic microphone, frequency response: 40 to 15,000 Hz, polar pattern: cardioid.

The Shure Beta 91A is designed for use with kick drums, as well as other low-frequency applications.

Featuring an updated microphone capsule, integrated preamplifier, and XLR connection, Beta 91A offers a strong low-frequency response and is specifically tailored for bass frequency applications.

Cardioid Condenser Instrument Microphone.

Excellent acoustic isolation

With deep lows and top-end punctuation

Large-diaphragm dynamic capsule

Cardioid Condenser Instrument Microphone.

The e 604 is a cardioid microphone especially suitable for use with drums and brass instruments.

Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence.

RE 20 - Series Dynamic Microphones

Industry Standard Variable-D dynamic cardioid microphone l Favorite among broadcasters and sound engineers worldwide l Variable-D design and heavy-duty, internal P-pop filter reduces proximity effect

Small condenser microphone.

Ideal for sax, toms, percussion and brass instruments - especially suitable for applications with high sound levels - ideal for dynamic stage performances - Wide frequency response covers even the smallest nuances.

Ultra light pickups, including protective and adhesive

Condenser microphone / pickup in sealed enclosure (vibration pickup), ideal for acoustic stringed instruments, fixed with reusable adhesive rubber, XLR connector, external phantom powering

Pick-up pattern Cardioid, Frequency response 20.....16000 Hz

The e 602 II is a cardioid instrument microphone especially suitable for use with bass drums, bass guitar cabs, tubas and other low frequency instruments.

Miniature instrument microphone with clip.

Ideal for accordion, piano, guitar, keyboard or organ amplifiers, high impact sound insulation.

Excellent acoustic control

Large-diaphragm dynamic capsule

Easy mic placement with low-profile pivoting head

Excellent isolation

With lively and balanced sound

Large-diaphragm dynamic capsule

Universal dynamic instrumental microphone

The D 40 stage microphone provides excellent sound quality for drums, percussion instruments, woodwinds and guitar amps.

Kondensatormikrofon für Banjo oder - Resonator-Gitarre.

Kompakter Schwanenhals, Shockmount ohne sichtbare Verkabelung, inklusive 3-pin Kabel und Kunststoff-Transportcase mit geformten Schaumstoff-Einlagen.

Mic-Set in Bag, including 1x TG D70d, 1x ST99, 2x TG D57c, 2x TG D58c, 2x TG I53c

Specially developed for use with the Magnetico AG6 pickup, the S-MIC-M condenser microphone is a perfect complement.

Complete Microphone for Drums

The world-famous D 112 is a reference for the decrease in the bass drum. For snare and toms, the new D 40 is used, which, thanks to the supplied bracket mounted directly and save space on the rims can be.

Use: Instrumental

Capsule: Back electret condenser

Polar pattern: Cardioid

CORE by DPA technology inside

Supercardioid condenser microphone

Handles high SPLs

Instrument-specific mics for optimal results

Rugged Audix quality

Road case

Fusion Drum package consisting of: 2x overhead for F9, F2 3x for Toms, 1 Snare for F5, F6 for Kick 1x and 5x D-clip microphone stand adapter for terminals, including aluminum road case.

Naturgetreue und gleichmässige Abnahme bis in tiefsten Lagen.

ohne Feedback. Auch per Funk betreibbar.

Fully balanced, active, dynamic contact microphone with Class A electronics.

Specially designed to enhance the natural qualities of the violin and viola in both amplified and recording environments.

Type: Dynamic

Polar Pattern: Cardioid

Frequency Response: 200Hz – 1.4kHz

Modified Condenser Boundary Layer Microphone with an Active-EQ

Half-Supercadioid

6db Switcher

Type: Dynamic

Polar Pattern(s): Cardioid

Frequency Response: 30Hz - 15kHz

Type: Dynamic

Polar Pattern(s): Cardioid

Frequency Response: 50Hz - 16kHz

Your professional drum recording arsenal.

CORE by DPA technology inside

Supercardioid condenser microphone

Handles high SPLs

Customised in-line pad

Frequency range: 25 - 3000 Hz

Impedance: 150 Ohm

CORE by DPA technology inside

Supercardioid condenser microphone

Superior gain-before-feedback

Daru Jones Signature Model

Customized in-line pad

Frequency response: 50-3000 Hz

Size: 7" x 3.5"

Customised in-line pad

Frequency range: 25 - 3000 Hz

CORE by DPA technology inside

Supercardioid condenser microphone

Handles high SPLs

Mode of operation: Piezo Technology

directional pattern: Sphere

Frequency range: 30 – 20000 Hz

CORE 4060 Omni Mic, Normal SPL, Black, MicroDot

Holder for strings

Foam windscreen

1x TG D71, 2x TG D57, 2x TG D58, 2x TG I53 inkl. Mikrofonklammern

1x TG D71, 4x TG D35, 2x TG I53 inkl. Mikrofonklammern

Dynamic hand microphone

FireBall is a dynamic microphone, specifically designed for the professional harmonica player. Acoustically tuned optimally for both chromatic and diatonic harmonicas.

CORE by DPA technology inside

Supercardioid condenser microphone

Superior gain-before-feedback

Drum microphone kit includes 6 drum microphones to cover all you need in performance and recording applications.