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Neumann KMS104 Plus (nickel)

Condenser Microphone
  • Neumann KMS104 Plus (nickel)
EUR 599.00
Incl. VAT, free shipping in Germany
Full of Sound. Full control. KMS 104 plus

The KMS 104 Cardioid plus has a very transparent sound for optimum readability and text feedback highest security for a safe, flawless stage performance.
Product Rating4.3 out of 5 | 1 review |   Write a review

Description

The KMS 104/104 plus and the KMS 105 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage.
The KMS series has become the internationally acknowledged standard for first-class stage microphones.

The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times.

Especially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems.

The KMS 104 and the KMS 104 plus have a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. In contrast, with its supercardioid characteristic the KMS 105 is particularly good at suppressing sounds originating from the entire 180° hemisphere behind the microphone. The KMS 104 plus features, compared to KMS 104, a more extended bass frequency response. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field.

The user can thus select the version that is optimally suited to the specific application.

Acoustic features

The studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients.

In KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds.

In spite of excellent pop protection, sibilants and "S" sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS 104/104 plus and KMS 105 vocal microphones when they are used with a stage sound system.

Electrical features

Since vocal microphones are typically addressed at close range, for the bass frequency response of the microphones, electronic compensation is used for the proximity effect in the respective capsules.

In addition, the microphone has an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (-3 dB, measured in a free sound field). The dynamic range of the KMS microphones is 132 dB, and the maximum sound pressure level is 150 dB.

The low self-noise level of only 18 dB A permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist.

Due to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound.

Mechanical features

Microphones designed for use on stage require a particularly robust construction. The KMS 104/104 plus and KMS 105 therefore have thick-walled metal housings, which also provide effective protection against handling noise.

The microphone headgrilles are made of hardened steel. If required, they can easily be unscrewed to permit cleaning of the interior acoustic filters.

Delivery Range

The KMS 104/104 plus and KMS 105 microphones, with a matching stand clamp, are supplied in an attractive padded nylon bag that is sufficiently durable for touring.

Attributes

Product Dimensions
Depth 200mm
Width 75mm
Height 80mm
Condenser Microphone attributes
Unit 1 piece(s)
Product Details
Product Number 135992
Brand Neumann
Series KMS
SubSeries Plus
Category Condenser Microphone
Brand Category Neumann - Condenser Mics
Relevancy rank 28 of 36
Date August 2009
Dimension
Weight 0.53kg
Box Depth 226mm
Box Width 75mm
Box Height 127mm
Gross Weight 0.72kg

Properties

Acoustical operating principle Pressure gradient transducer
Directional pattern Cardioid
Frequency range 20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm 4.5 mV/Pa
Rated impedance 50 ohms
Rated load impedance 1 kohms
Equivalent noise level, CCIR1) 28 dB
Equivalent noise level, A-weighted1) 18 dB-A
Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) 66 dB
Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) 76 dB
Maximum SPL for THD 0.5%2) 150 dB
Maximum output voltage 12 dBu
Dyn. range of the mic. amplifier (A-weighted) 132 dB
Supply voltage (P48, IEC 1938) 48 V ± 4 V
Current consumption (P48, IEC 1938) 3.5 mA
Matching connector XLR3F
Weight approx. 300 g
Diameter 48 mm
Length 180 mm

- Weight: 0.530kg
- Height: 80mm
- Width: 75mm
- Depth: 200mm

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Brand

Neumann was founded in Germany and is celebrated for its pioneering work in microphone technology, producing iconic studio microphones like the U47 and U87. Acquired by Sennheiser in 1991, it continues to excel in producing high-quality audio equipment widely used in the recording and broadcasting industry, known for its exceptional sound quality and precision.
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