Small Diaphragm Microphones

Type: 0.5 inch diaphragm, externally polarized condenser

Polar pattern cardioid

Frequency range: 20 to 20,000 Hz

Premium small-diaphragm condenser element

Clean, crisp and detailed condenser sound

Easy mic placement with locking pivoting head

Out-of-the box match paired with any other CC8 due to factory calibration (+/-0,5dB @1kHz)

Best-in-class off-axis response

True condenser technology

Type: Condenser, permanently polarized

Polar pattern: Cardioid

Sensitivity: 18.8 mV/Pa, -34.5 dBV/Pa

Small diaphragm condenser microphone with outstanding sound properties

Type: Condenser, permanently polarized

Polar pattern: Cardioid

Sensitivity: 18.8 mV/Pa, -34.5 dBV/Pa

Type: Condenser, permanently polarized

Polar pattern: Cardioid

Sensitivity: 14.6 mV/Pa, -36.7 dBV/Pa

XLR cable included 15ft.

Because of its robust construction and reliability, the typical Shure SM137 will in future be an integral part of the range of each microphone Engineers On Tour.

Polar Pattern: Cardioid

Frequency range: 20 Hz - 20 kHz

Equivalent noise level: 13 dB(A)

Full recreation of a legend.

20Hz-20kHz, CineMag USA transformer, Fairchild transistors, Wima capacitors

UTILIZES A CINEMAG USA TRANSFORMER

DIRECTIONAL PATTERN: CARDIOID

FULLY DISCRETE VINTAGE-STYLE SIGNAL PATH

Small diaphragm condenser microphone with outstanding sound properties

Transducer Type: Condenser

Frequency Response: 40 Hz – 20 kHz

Output Impedance: 150 ohms

Analog output stage XLR-3

The capsule heads of the KK series can be operated with both the digital output stage KM D (nx) and the analog output stage KM A (nx).

Cardioid condenser pencil microphone.

Built-in attentuation switch (choose 0dB or -10dB), low-cut filter (75Hz).

Condenser microphone for instruments

Areas of application - Overhead for drums/percussion instruments, hi-hat, cymbals - Recording of acoustic instruments (guitar, piano, saxophones, orchestra) - Recording of choirs, vocal groups