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Hotone Binary IR Cab

Speaker Simulator Pedal
Hotone
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EUR 111.05
In stock
Expected delivery: Wed, 22.4. and Fri, 24.4. to your country (FR)
Shipping cost: EUR 8.05
Free delivery in France from EUR 200
Impulse Response Cabinet Simulator Effects Pedal

Based on the same modeling/original effect library that amazed XTOMP users worldwide, Binary Series are dedicated to gather a bunch of high quality effects in a box with more affordable, competitive price. They feature compact casing, dual-footswitch design, versatile inputs/outputs and bright, clear OLED display, which blur the line between "classic pedals" and multi-effects. At the core of all Binary Series pedals, a powerful dual-DSP platform and CDCM (Comprehensive Dynamic Circuit Modeling) modeling system ensure a realistic playing experience. The CDCM system is built on an extremely complex dynamic variation matrix, able to realistically express every detailed change that occurs during the operational process of actual circuitry: Everything is ALIVE and performs like its original. The Hotone IR Cab is an impulse response-based cabinet simulator effects pedal that delivers 100 authentic legendary (vintage and modern) guitar and bass cab models. In addition, the IR Cab features CDCM-based legendary studio microphone and power amp models, as well as a variety of detailed mic position (X, Y, Z) and room simulations.

  • - Compact, easy-to-use dual-footswitch IR cabinet simulator effects pedal
  • - Advanced CDCM modeling system ensures realistic playing experience
  • - Dual DSP-powered platform ensures high sound quality
  • - 24-bit A/D/A conversion, up to 110dB S/N ratio
  • - 100 IR-based legendary guitar and bass cab models
  • - 11 CDCM-based legendary studio microphone models
  • - 8 CDCM-based power amp models with presence control
  • - Detailed mic position (X, Y, Z) simulation
  • - Built-in room reverb simulation
  • - Supports third-party IR files
  • - USB jack for firmware upgrading and loading/managing effects via free Mac/PC software
  • - Aux input and headphone output for practicing/jamming
  • - 100 presets
  • - OLED screen with clear display
  • - Pure Analog Buffered Bypass switching with flat frequency response
  • - Five translucent knobs with LEDs

- Number of Patches: 100
- Number of Effects: 100 cabs, 8 power amp types, 10 mic types
- Digital Processing: 24-bit A/D/A conversion, 48 kHz sample rate
- Supported IR file format: 24-bit, 48kHz
- Max. Truncation Time: 20ms
- Frequency Response: 20 Hz-20 kHz
- S/N Ratio: Up to 110dB
- Input Impedance: 1M Ohms
- Output Impedance: 100 Ohms
- Power Requirement: DC 9V, center negative
- Current Consumption: 200mA minimum

Product Dimensions
Depth
47mm
Width
121mm
Height
72mm
General Information
Manufacturer information
Changsha Hotone Audio Co., Ltd.
No. 20 Qingshan Rd, Changsha High‑tech Zone
410205 Changsha, Hunan
China

service@hotone.com
Product Details
Product Number
202759
Brand
Hotone
Category
Speaker Simulator Pedal
Brand Category
Hotone - Speaker Simulators
Relevancy rank in Category Speaker Simulator Pedal
7 of 16
Date
October 2018
Dimension
Weight
0.34kg
Box Width
121mm
Gross Weight
0.2kg

4
(1)

Task: Connect the Marshall JMP-1 tube preamp directly to the Focusrite Scarlett interface and play audio into the computer. The old unit even has a speaker simulation, but the sound is quite modest (it was state-of-the-art 20 years ago). I also connected an IR cab (and a ground loop isolator, because the Marshall hums...) and started playing. There were some initial frustrations. The first few presets are very quiet, so you have to increase the gain on the Scarlett. From preset 5 or 6, the sound becomes much louder, and my Scarlett (and my ears) start to overheat; so I have to reduce the gain again. The software is difficult to convince to load the presets from the device (you have to unplug and replug the USB and power cables several times). After some practice, I can get my sounds and also load IRs from Celestion, etc. You can further refine the many different cab sounds by using 3-axis microphone positioning and the corresponding IRs (be careful, they have very significant differences in loudness). This allows you to create exciting sounds. After a few hours of tweaking, I had 5 presets that made the old Marshall sound great directly into the mixing console. If you can tolerate the somewhat clunky controls, you will be rewarded with good sound.

Operation
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