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Orange Custom Retro 50 Combo

Amplificador combo a válvulas para guitarra
  • Orange Custom Retro 50 Combo
  • Orange Custom Retro 50 Combo
  • Orange Custom Retro 50 Combo
  • Orange Custom Retro 50 Combo
  • Orange Custom Retro 50 Combo
  • Orange Custom Retro 50 Combo
EUR 3519.30
Incl. VAT, free shipping in Francia
Debido a su tamaño o peso, este producto no se puede pedir en línea. Por favor, póngase en contacto con nosotros si está interesado.
The order for this product cannot exceed the available stock, only 0 piece(s) are in stock

Atributos

Key attributes
Power 50W
Channels 1
Reverb No
Including Footswitch No
Product Warranty
Detalles Auf Röhren nur 3 Monate
Amplificador combo a válvulas para guitarra attributes
MIDI Interface No
Speaker 2x12"
Effects Processor No
External FX Loop No
Line Input Yes
Recording Output No
Connection For External Speaker Yes
Headphone Output No
Footswitch Connection Yes
Product Details
Product Number 125632
Marca Orange
Serie Custom
Subserie Retro
Categoría Amplificador combo a válvulas para guitarra
Brand Category Orange - Modelos a válvulas
Relevancy rank 30 of 132
Fecha febrero 2008
Dimension
Envío Este producto tardará más de 24 horas en ser preparado y enviado debido a sus grandes dimensiones. , *Los paquetes se entregan a través de Correos o de una compañía de mensajería y se dejan en la puerta de su casa o edificio, no en la puerta de su apartamento.
Peso 34kg
Gross Weight 38kg

Propiedades

- Peso: 34.000kg

Garantía

Garantía del fabricante: Auf Röhren nur 3 Monate

Marca

Since I founded Orange back in 1968, I have always believed that no other company could have cared more than us about innovation in guitar valve amplifier design and sound technology. Our latest amplifier designs still reflect this approach, and I am especially pleased with recent innovations made by Orange in the field of transformer design. To reach these achievements, we spent years studying, experimenting and testing in order to improve on the best. However, it’s not just about transformers, valves and circuit design. It’s about how the sound is perceived – something that I have always thought of as ‘the sound of the sound‘… it’s about the physical pleasure that the sound of an amp gives a guitarist as he plays. That is what really matters. The ‘Orange Sound‘ didn’t just happen, it has taken many years to perfect and fine tune. In the same way that guitarists – no matter how good they may be – can always learn new skills and improve, we will also continue with our search for perfection.
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