Reclam Universal Bibliothek Die kürzeste Geschichte der Musik / Martin Geck
Music History & Theory Book
EUR 28.27
Incl. VAT. Free delivery in Germany from EUR 200
Product # | 222318 |
Brand | Reclam Universal Bibliothek |
Category | Music History & Theory Books | Brand Category | Reclam Universal Bibliothek - Music History & Theory |
Release date | May 2021 |
Availability | Will be ordered for you as quick as possible |
Shipping cost: EUR 6.00
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Description
Martin Geck humorously and vividly recounts several thousand years of music history. In doing so, he combines anecdotes with an accurate view of the decisive developments and trends - from the musical customs of African indigenous peoples or in China at the time of Confucius, to opera, church music and symphonic music to rock ’n’ Roll and hip hop.
Anyone who follows Geck in his concentration on the essentials will get a wonderful idea of what music represents in their respective time and environment. A more entertaining and confident music history has not been written in recent decades.
»Can you tell the history of music in 200 pages? … You can.« (THE TIME)
»If you don’t let Martin Geck get you excited about music, you can’t be helped.« (THE WEEK)
Author information:
Martin Geck was born in Witten in 1936. He studied musicology, philosophy and theology; from 1976 he was professor of musicology at the University of Dortmund. With his numerous books on music history and biographies of great composers, he reached a broad audience beyond specialist boundaries. He was considered the “doyen of musicology.” (Frankfurter Allgemeine Zeitung) and as the »last generalist of his guild« (The mirror).
Martin Geck died in Bochum in November 2019. His last book, Listening to Beethoven, was published by Reclam. When flashes of inspiration shatter sacred forms (2020).
Anyone who follows Geck in his concentration on the essentials will get a wonderful idea of what music represents in their respective time and environment. A more entertaining and confident music history has not been written in recent decades.
»Can you tell the history of music in 200 pages? … You can.« (THE TIME)
»If you don’t let Martin Geck get you excited about music, you can’t be helped.« (THE WEEK)
Author information:
Martin Geck was born in Witten in 1936. He studied musicology, philosophy and theology; from 1976 he was professor of musicology at the University of Dortmund. With his numerous books on music history and biographies of great composers, he reached a broad audience beyond specialist boundaries. He was considered the “doyen of musicology.” (Frankfurter Allgemeine Zeitung) and as the »last generalist of his guild« (The mirror).
Martin Geck died in Bochum in November 2019. His last book, Listening to Beethoven, was published by Reclam. When flashes of inspiration shatter sacred forms (2020).
Attributes
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Product Details
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Dimension
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Properties
Format: 12.5 x 20.5 cm
192 pages
- Weight: 0.270kg
192 pages
- Weight: 0.270kg
Specifications
Preface
On the mythical power of music: … and the voices of the indigenous peoples
Music in the Ancient Empires: … for example in China
Of monks and minstrels: Music in the European Middle Ages
“Soli deo Gloria” or “Whose bread I eat, the song I sing”?: From the traditional genres of church music
All geniuses? The Bach family
»Sonata — What do you want to tell me?«: Instrumental music in the age of continuo
Cantilenas and Castrati: The Opera from Monteverdi to Handel
»… Music for all types of people - except for long ears«: Mozart as an opera composer
»Classic« and “Romance”: A puzzle game for advanced players
Beethoven and others: The symphony as a work of art of ideas
A hero, a rogue and thirteen princesses: about program music and dance theater
Anything but a loudmouth: Franz Schubert and his songs
Songs with history: songs of freedom from the pre-March period
On the fate of power: Wagner's musical drama The Ring of the Nibelung
Composer with eight children: The eventful life of Clara Schumann
Virtuoso and playful music for violin and piano: With a sideways look at historical performance practice
Between Impressionism and Fin de Siècle: Debussy conjures in »French« Music
Facets without end: The music of the 20th century
»My Daddy sings the blues, but I rap it!«: Blues, rock, jazz and their »black« root
Up
On the mythical power of music: … and the voices of the indigenous peoples
Music in the Ancient Empires: … for example in China
Of monks and minstrels: Music in the European Middle Ages
“Soli deo Gloria” or “Whose bread I eat, the song I sing”?: From the traditional genres of church music
All geniuses? The Bach family
»Sonata — What do you want to tell me?«: Instrumental music in the age of continuo
Cantilenas and Castrati: The Opera from Monteverdi to Handel
»… Music for all types of people - except for long ears«: Mozart as an opera composer
»Classic« and “Romance”: A puzzle game for advanced players
Beethoven and others: The symphony as a work of art of ideas
A hero, a rogue and thirteen princesses: about program music and dance theater
Anything but a loudmouth: Franz Schubert and his songs
Songs with history: songs of freedom from the pre-March period
On the fate of power: Wagner's musical drama The Ring of the Nibelung
Composer with eight children: The eventful life of Clara Schumann
Virtuoso and playful music for violin and piano: With a sideways look at historical performance practice
Between Impressionism and Fin de Siècle: Debussy conjures in »French« Music
Facets without end: The music of the 20th century
»My Daddy sings the blues, but I rap it!«: Blues, rock, jazz and their »black« root
Up
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