Microphones for Percussion

Type: Dynamic, moving coil

Polar pattern: Cardioid

Frequency range: 60 ... 16,000 Hz

Precision-engineered condenser microphone for sound reinforcement and studio recording.

Cardioid Polar Pattern. Features an integrated XLR preamplifier.

Low-profile condenser microphone with adhesive backing

Great for cajons, congas, djembes or frame drums

- Tailored frequency response for open, natural sound reproduction

- Compact, lightweight construction provides a low degree of visibility

- Gooseneck, ratcheting swivel joint and gooseneck angle brace allow for optimum placement and fixed positionin

Very small and unobtrusive mic

Easily adjustable flexible mounting

Frequency response 50-16 kHz

Elevates electret principle to Neumann sound standards

Durability increases ROI up to tenfold

A single capsule for loud and soft instruments

Modified Condenser Boundary Layer Microphone with an Active-EQ

Half-Supercadioid

40 - 16.000 Hz

Magnetic Piezo pickup

Integrated volume regulator

Separately adjustable volume level

CORE by DPA technology inside

Supercardioid condenser microphone

Handles high SPLs

Size: H: 46cm – W: 30,4cm – D: 29,5cm

Playfront: Sandwich beech tree construction veneered with satin nut or santos palisander

Sound-Chambers and Pitch Converter

Type: Dynamic, moving coil

Polar pattern: Supercardioid

Frequency range: 40 ... 16,000 Hz

Professional dynamic microphone (cardioid) for drums, percussion and instruments

This microphone does a great job, using it as a kick-drum or tom microphone and it works great for nearly all kinds of instruments. The TG D50d has a switchable EQ integrated as well.