Small Diaphragm Microphones

UTILIZES A CINEMAG USA TRANSFORMER

DIRECTIONAL PATTERN: CARDIOID

FULLY DISCRETE VINTAGE-STYLE SIGNAL PATH

Transducer Type: Condenser

Frequency Response: 40 Hz – 20 kHz

Output Impedance: 150 ohms

The Shure Beta 181 is an ultra-compact, small-diaphragm side-address condenser microphone.

Supercardioid Polar Pattern. Interchangeable polar pattern capsules attach to a compact preamplifier with integrated XLR connections for the ultimate in low-profile application flexibility.

Interchangeable polar pattern capsules attach to a compact preamplifier with integrated XLR connections for the ultimate in low-profile application flexibility

Gold-Sputtered Diaphragm Studio Condenser Microphone

Type: Condenser, permanently polarized

Polar pattern: Cardioid

Sensitivity: 18.8 mV/Pa, -34.5 dBV/Pa

Small diaphragm condenser microphone with outstanding sound properties

Small diaphragm condenser microphone with outstanding sound properties

Type: Condenser, permanently polarized

Polar pattern: Cardioid

Sensitivity: 14.6 mV/Pa, -36.7 dBV/Pa

XLR cable included 15ft.

Type: 0.5 inch diaphragm, externally polarized condenser

Polar pattern cardioid

Frequency range: 20 to 20,000 Hz

40 Hz ... 20 kHz, 50 Ohm

The super-cardioid e 614 is a permantly polarized condenser microphone designed for demanding applications which require a wide frequency response, high SPL, fast transient response and a compact design.

Because of its robust construction and reliability, the typical Shure SM137 will in future be an integral part of the range of each microphone Engineers On Tour.

Polar Pattern: Cardioid

Frequency range: 20 Hz - 20 kHz

Equivalent noise level: 13 dB(A)

Studio small diaphragm/condenser microphone.

Individually, the Rode NT -5 S fulfills everything you would expect from a good small-diaphragm microphone in a classic design, namely a crystal-clear and balanced sound for snare and/or hi-hat, for woodwinds, acoustic string instruments, and percuss

Full recreation of a legend.

20Hz-20kHz, CineMag USA transformer, Fairchild transistors, Wima capacitors

Premium small-diaphragm condenser element

Clean, crisp and detailed condenser sound

Easy mic placement with locking pivoting head

Diaphragm: Condenser (back electret type)

Freq. response: 40Hz ~20kHz

Sensitivity: -40dB (+/-3dB)

the ideal microphone for stereo recording of stringed instruments in critical situations

Its permanently polarized element offers extended frequency response with a slight rise in the high frequency range for a more detailed sound.

Condenser microphone for live and studio use.

The C1000 S is the revised version of the established predecessor model C 1000 S MK-III, which was already highly valued for its high versatility and reliability.

cardioid, 20...20 000 Hz

The e 914 is a high grade condenser microphone for very demanding applications. Its outstanding sound properties qualify the e 914 for highly sophisticated tasks.

Small-diaphragm microphone with identical acoustics to legendary CK first

Acoustically identical to C 451 EB + CK 1, 0 ° linear frequency response, high signal fidelity, Transformerless output for high dynamic range and precise bass response, separate three-stage switchable attenuation pad and bass cut.

Versatile condenser microphone.

Microphone combination of the AKG Blue Line, insensitive to handling noise, high security against stray RF, Flexible use of capsules on SE 300 B or with 3 m cable extension.

Premium small-diaphragm condenser element

Clean, crisp and detailed condenser sound

Easy mic placement with locking pivoting head

Out-of-the box match paired with any other CC8 due to factory calibration (+/-0,5dB @1kHz)

Best-in-class off-axis response

True condenser technology

The world standard among small-diaphragm microphones.

In particular, the KM 184 (cardioid) has become the classic high-quality miniature microphones. Now available in attractive stereo sets. Cardioid, hypercardioid or omni is available.

Polar pattern: cardioid

Frequency response: 40 - 20,000 Hz

for choir, overhead and instrument recording

Polar pattern: supercardioid

Frequency range: 40 - 20,000 Hz

for choir, overhead and instrument recording

Type: Condenser, permanently polarized

Polar pattern: Cardioid

Sensitivity: 18.8 mV/Pa, -34.5 dBV/Pa