Small Diaphragm Microphones

Type: 0.5 inch diaphragm, externally polarized condenser

Polar pattern cardioid

Frequency range: 20 to 20,000 Hz

Premium small-diaphragm condenser element

Clean, crisp and detailed condenser sound

Easy mic placement with locking pivoting head

Type: Condenser, permanently polarized

Polar pattern: Cardioid

Sensitivity: 18.8 mV/Pa, -34.5 dBV/Pa

Type: Condenser, permanently polarized

Polar pattern: Cardioid

Sensitivity: 18.8 mV/Pa, -34.5 dBV/Pa

Type: Condenser, permanently polarized

Polar pattern: Cardioid

Sensitivity: 14.6 mV/Pa, -36.7 dBV/Pa

Small Diaphragm Studio Microphone

Individually met the Rode NT-5 S all the things expected of a good small-diaphragm microphone in a classic design, namely a crystal-clear and balanced sound for snare and / or hi-hat, for woodwinds, acoustic Saiteninstrume, percussion.

Because of its robust construction and reliability, the typical Shure SM137 will in future be an integral part of the range of each microphone Engineers On Tour.

XLR cable included 15ft.

Full recreation of a legend.

20Hz-20kHz, CineMag USA transformer, Fairchild transistors, Wima capacitors

Out-of-the box match paired with any other CC8 due to factory calibration (+/-0,5dB @1kHz)

Best-in-class off-axis response

True condenser technology

Polar Pattern: Cardioid

Frequency range: 20 Hz - 20 kHz

Equivalent noise level: 13 dB(A)

UTILIZES A CINEMAG USA TRANSFORMER

DIRECTIONAL PATTERN: CARDIOID

FULLY DISCRETE VINTAGE-STYLE SIGNAL PATH

Diaphragm: Condenser (back electret type)

Freq. response: 40Hz ~20kHz

Sensitivity: -40dB (+/-3dB)

Laser-alignment sight for placement accuracy and recording recall, powered by 48V Phantom

Gold-sputtered 20mm capsule, chosen in blind tests by a panel of 50 top producers

Well-designed, re-usable and recyclable packaging

Transducer Type: Condenser

Frequency Response: 40 Hz – 20 kHz

Output Impedance: 150 ohms