| Product # | 223005 |
| Brand | Korg |
| Category | Synthesizer |
| Brand Category | Korg - Synthesizers |
Recommended accessories
Sound generating system: Altered FM sound generator
Maximum Polyphony: 32 voices (or a max. of 24 voices, depending on the settings)
Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator
Algorithm: 40 presets + user algorithm (unique to each program)
Operator: 5 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder)
Oscillator waveform: 21 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White)
Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)
EG: ADSR
LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)
V.Patch
12 routings
Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)
Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step)
Motion Sequencer (up to 6 lanes)
Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER) fault)
Number of programs: 500 (250 preset programs and 250 user programs as the factory-set de
FAVORITE: 64 (16 Slots × 4 Banks)
Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1–6 knobs, LEVEL OP 1–6 sliders, DATA ENTRY A–F knobs
Inputs/outputs:
Headphone (6.3 mm stereo phone jack)
OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks)
DAMPER (6.3 mm phone jack, half-damper not supported)
MIDI IN and OUT connectors
USB B port
Power supply: AC adapter (DC12V)
Power consumption: 5 W
Dimensions (W × D × H): 565 × 338 × 90 mm / 22.24" × 13.31" × 3.54"
Weight: 2.9 kg / 6.93 lbs
| Key attributes | |
|---|---|
| Model | Synthesizer |
| Number of Keys | 37 |
| Keyboard Type | Aftertouch |
| Colour | Black |
| Speakers | No |
| General Information | |
|---|---|
| Manufacturer information | Korg Inc.
4015-2, Yanokuchi, Inagi-City 206-0812 Tokyo Japan info@korg.co.jp |
| Synthesizer attributes | |
|---|---|
| Display | Yes |
| Battery Operated | No |
| Cover | No |
| Pedal | Not Included |
| Built-in Tones | Yes |
| Stand | Not Included |
| MIDI Interface | USB to Host |
| Product Details | |
|---|---|
| Product Number | 223005 |
| Brand | |
| Category | |
| Brand Category | |
| Relevancy rank in Category Synthesizer | |
| Date | December 2020 |
| Dimension | |
|---|---|
| Weight | 3.84kg |
| Gross Weight | 4.04kg |
View different language product reviews (1)
I can't believe it! In 1987, I bought a used DX7 and became fascinated with FM synthesis. I loved the sounds and the difference it brought to the world of sound at the time. However, FM synthesis was incredibly complicated to use, which didn't stop me from falling in love with a SY 88 (AFM) and eventually the Montage 6 (FMX). But unfortunately, this type of synthesis remained extremely difficult to manipulate. Then Korg released the Opsix! This time, FM synthesis is ultra-accessible. The control of the operators is clear, and you can directly adjust their volume, harmonics, and feedback. It's brilliant! And new functions are added to the operators, such as wave shaping and ring modulation: This opens up completely new possibilities (including lush pads). It's not a small synthesizer that reminds you of the DX7 (as Yamaha also released the Reface), but rather a powerful super DX7! The front panel has 6 assignable knobs that provide access to all stages of the synthesis, just like the new analog synthesizers that are respected. The sound is magnificent and precise, and to top it all off, there's an arpeggiator and a step sequencer. The effects processor completes the prestigious sound produced by the entire system: Wonderful effects, like those we've come to expect from Korg, including amp simulations. If you love the particular flavor of FM, go for it!
I can't believe it! In 1987, I bought a used DX7 and became fascinated with FM synthesis. I loved the sounds and the difference it brought to the world of sound at the time. However, FM synthesis was incredibly complicated to use, which didn't stop me from falling in love with a SY 88 (AFM) and eventually the Montage 6 (FMX). But unfortunately, this type of synthesis remained extremely difficult to manipulate. Then Korg released the Opsix! This time, FM synthesis is ultra-accessible. The control of the operators is clear, and you can directly adjust their volume, harmonics, and feedback. It's brilliant! And new functions are added to the operators, such as wave shaping and ring modulation: This opens up completely new possibilities (including lush pads). It's not a small synthesizer that reminds you of the DX7 (as Yamaha also released the Reface), but rather a powerful super DX7! The front panel has 6 assignable knobs that provide access to all stages of the synthesis, just like the new analog synthesizers that are respected. The sound is magnificent and precise, and to top it all off, there's an arpeggiator and a step sequencer. The effects processor completes the prestigious sound produced by the entire system: Wonderful effects, like those we've come to expect from Korg, including amp simulations. If you love the particular flavor of FM, go for it!








