Welcome to RØDE Microphones - a uniquely Australian owned and operated audio company. Our home is in beautiful Sydney, just 20km west of Sydney's downtown area and right near the home of the Sydney 2000 Olympics.
Comprising three warehouses with a total footprint of over 110,000 square feet, the RØDE state-of-the-art plant has over 60 million dollars in precision machinery and an international team of more than 250 people across highly skilled disciplines: electronics engineering, industrial design, technical engineering, robotics, audio and acoustics engineering, metal production, toolmaking, injection-mould technology, logistics, assembly, quality control, finance, marketing and sales.
As well as our main campus in Sydney, we have offices in Los Angeles, New York, London, Hong Kong, Shenzhen and Seoul. Our extensive distributor and 6000-strong storefront network ensures RØDE Microphones are sold in 117 countries – and growing – making RØDE a truly global company.
2017 marked the 50th anniversary of the parent company Freedman Electronics’ formation, a remarkable milestone in modern business. Today, The Freedman Group is home to RØDE Microphones, Aphex, Event Electronics and SoundField.
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Suitable for 100 and 75 mm VESA mounts 360 degree ball head mount Easy-to-use cam to lock in any position
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Compact dual-channel wireless microphone system RØDE’s state-of-the-art Series IV 2.4 GHz digital transmission with 128-bit encryption for crystal-clear, incredibly stable audio at up to 260m (850 ft) line of sight Universal compatibility with camer
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Compact integrated audio production studio for podcasters and content creators Ultra-low-noise, high-gain Revolution Preamps™ (-131.5dBV EIN, 76dB gain) Two high-quality Neutrik® combo inputs for connecting microphones, instruments and line-level dev
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Broadcast-quality dynamic microphone Analog XLR and digital USB-C connectivity Fully compatible with Windows and Mac computers, and iOS and Android devices
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Custom charging case for the Wireless GO II Fits three Wireless GO II units – two transmitters and a receiver Provides an additional two recharges for up to 21 hours of use
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Pack of 4 3.5mm TRS to 6.35mm TRS
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Acoustic Principle: Pressure gradient electret condenser Polar Pattern: Supercardioid Frequency Range: 20Hz – 20kHz
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Low noise and a full frequency response. Ideal for studio recording and live on stage, the M5 is equally at home on a range of acoustic instruments, choirs, or anywhere you would employ a small diaphragm condenser microphone, either individually or as a stereo array.
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Computer Connectivity: USB Sample Rates: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz Analog Inputs: 1 x Neutrik XLR-1/4" combo
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- Polar Pattern: Supercardioid - Frequency Response: 20Hz - 20kHz - Dynamic Range: 95 dBA Typical
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Three-position tabletop tripod Ergonomic grip for handheld use Additional 1/4-inch thread inserts on legs
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In-built pop filter for reducing plosives. Zero-latency headphone monitoring eliminates distracting echo. Studio-quality headphone amplifier with precision level control.
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Acoustic Principle Pressure, Pressure gradient Directional Pattern Three position variable - Omni, Cardioid or Figure 8 Frequency range 20 Hz - 20 kHz
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