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(2)Behringer 2600 Blue Marvin
MSRP: CHF 894.00
| Product # | 229907 |
| Brand | Behringer |
| Category | Synthesizer Modules | Brand Category | Behringer - Modules |
| Release date | December 2021 |
| Availability |  In stock |
| Shop | Availability |
|---|---|
| Giebenach BL |
In stock |
Description
True to the Original
Great care has been taken in engineering the BLUE MARVIN’s true-to-the-original analog circuitry, semi-modular architecture and triple VCO design, all of which come together to recreate the classic tones evocative of classic electronic music. This highly-focused attention to detail gives the BLUE MARVIN its ultra-flexible sound-shaping capability, which then empowers you to recreate amazing tones – from super-fat bass and tasty leads, all the way to full-on dreamy ambience from the far reaches of your imagination.
Big, Fat Tones
The synthesizer tracks laid down in the 1970s and 80s in progressive rock, wave and synth-pop have become classics and have inspired many other artists. The BLUE MARVIN lets you recreate all that magic – or design some incredible and original sounds that will make you a legend in your own right!
Ready to Rock
Just like the original, the BLUE MARVIN is a semi-modular synthesizer that allows you to start making music without having to plug patch cables into different modules. But don’t let that stop you, the BLUE MARVIN also features 93 patchable ins and outs, so you can configure the synthesizer any way you want.
Make Waves
The BLUE MARVIN features 3 VCOs with FM inputs. You can even patch the VCOs’ default waveforms to square, triangle, saw, sine or pulse which allows for an awe-inspiring palette of tonal possibilities. Any of the VCOs can also be switched to operate as a low frequency oscillator while the multi-mode VCF acts as the VCO mixer of the BLUE MARVIN where VCO’s one, two and three can be blended. Combine that with its integrated resonance control, filter mode switch and the ability to output to other areas of the synth and the BLUE MARVIN becomes a fantastic and flexible tool for creating a diverse palette of tones that will truly blow away your audience.
Now meet the Behringer 2600 BLUE MARVIN, a limited edition, ultra-affordable and even more feature-packed homage to the iconic ARP 2600 synthesizer. Compared to the original Behringer 2600, the BLUE MARVIN features a mechanical spring reverb, hand-picked components, uni-color LEDs on each fader plus a super slick paint job that’ll make your setup pop! Conjure up virtually any sound imaginable with incredible finesse and ease. The pure analog signal path is based on the authentic ARP 2600 circuitry from the 70s with matched transistors and JFETs. Owning a BLUE MARVIN is like having your piece of history enabling you to re-create timeless classics or forge your own musical path.
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Properties
- Authentic reproduction of ultra-rare Arp Blue Marvin* circuitry from the 70s with matched transistors and JFETs
- Semi-modular architecture requires no patching for immediate performance
- 3 VCOs, each with LFO mode, FM inputs and multiple wave-shape outputs for an awe-inspiring palette of tonal possibilities
- Multi-mode VCF with dedicated low-pass output with additional switched high/notch output
- Incredible range of modules including ring modulator, lag processor, sample & hold, Schmitt trigger, and envelope follower
- ADSR and AR Envelope generators with switchable time factor
- Fitted with a mechanical spring reverb for inspiring sound effects
- Noise Generator with continuously variable color
- 2 dedicated LFOs with pulse and sine wave outputs
- Switched Post Filter Distortion (PFD) / Inverter option on voltage processor
- Differential (+/-) input VCA with both linear and exponential control inputs
- Additional functions include attenuator, mixer, inverter, slew rate limiter and 4-way multiple for creative patching flexibility
- External audio input for processing of external sound sources
- 58 Faders and 15 buttons give you hands-on direct and real time access to all parameters
- 83 Patch cable input/outputs for the ultimate in configuration flexibility
- Comprehensive MIDI implementation with MIDI channel and Voice Priority selection
- Weight: 5.100kg
Specifications
VCO 1 / 2 / 3
Frequency modulation (FM) control: 11 x 3.5 mm TS jacks, CV range: -10 V to +10 V
Pulse width modulation (PWM): 2 x 3.5 mm TS jack, CV range: -5 V to +5 V, 1 V/10%
VCF
Audio: 5 x 3.5 mm TS jacks, 50 kΩ unbalanced
Control: 3 x 3.5 mm TS jacks, CV range: -10 V to +10 V
ADSR / AR envelope generator
S&H clock: 1 x 3.5 mm TS jack, threshold: > 6 V
Gate in: 1 x 3.5 mm TS jack, threshold: +4 V
Trig in: 1 x 3.5 mm TS jack, threshold: +5 V
VCA
Audio: 2 x 3.5 mm TS jacks, 50 kΩ unbalanced
Control (linear): 1 x 3.5 mm TS jack, CV range: -10 V to +10 V
Control (exponential): 1 x 3.5 mm TS jack, CV range: -10 V to +10 V
Mixer / reverb
Audio: 2 x 3.5 mm TS jacks, 50 kΩ unbalanced
Left / right inputs: 2 x 3.5 mm TS jacks, 50 kΩ unbalanced
LFO
Ext vib in: 1 x 3.5 mm TS jack, 50 kΩ unbalanced
Envelope follower
Input: 1 x 3.5 mm TS jack, 100 kΩ unbalanced
Preamp input: 1 x 3.5 mm TS jack, 100 kΩ unbalanced
Ring modulator
VCO 1 input: 1 x 3.5 mm TS jack, 100 kΩ unbalanced
VCO 2 input: 1 x 3.5 mm TS jack, 100 kΩ unbalanced
Voltage processor
-10 V input: 1 x 3.5 mm TS jack, max. input level: +10 V
Inputs 1 / 3 / 5: 3 x 3.5 mm TS jacks, max. input level: +10 V
Keyboard CV input: 1 x 3.5 mm TS jack, max. input level: +10 V
+10 V input: 1 x 3.5 mm TS jack, max. input level: +10 V
Env follower input: 1 x 3.5 mm TS jack, max. input level: +10 V
Sample & hold
Noise gen input: 1 x 3.5 mm TS jack, 50 kΩ unbalanced
Ext clock in: 1 x 3.5 mm TS jack, threshold: > 3 V
Back panel
Interval latch: 1 x ¼" TRS
Portamento footswitch: 1 x ¼" TRS
Outputs
VCO 1 / 2 / 3
Outputs (saw): 3 x 3.5 mm TS jacks, 1 kΩ unbalanced
Outputs (pulse): 3 x 3.5 mm TS jacks, 800 Ω unbalanced
Outputs (tri): 2 x 3.5 mm TS jacks, 1 kΩ unbalanced (VCO 2 / 3 only)
Outputs (sine): 2 x 3.5 mm TS jacks, 1 kΩ unbalanced (VCO 2 / 3 only)
VCF
Outputs: 1 x 3.5 mm TS jack, 1 kΩ unbalanced
ADSR / AR Envelope Generator
Output: 2 x 3.5 mm TS jacks, CV range: 0 V to +10 V
VCA
Output: 1 x 3.5 mm TS jack, 1 kΩ unbalanced
Mixer / reverb
Post-attenuator outputs: 2 x 3.5 mm TS jacks, 1 kΩ unbalanced
Post-mixer output: 1 x 3.5 mm TS jack, 1 kΩ unbalanced
L / R outputs: 2 x ¼" TS, 500 Ω unbalanced
2 x 3.5 mm TS jacks, 500 Ω unbalanced
LFO
LFO (triangle): 1 x 3.5 mm TS jack, 1 kΩ unbalanced
LFO (square): 1 x 3.5 mm TS jack, 1.8 kΩ unbalanced
LFO delayed (sine): 1 x 3.5 mm TS jack, 1 kΩ unbalanced
Envelope follower
Output (preamp x1000 ): 1 x 3.5 mm TS jack, max. output gain: +60 dBu
Output (preamp x100 ): 1 x 3.5 mm TS jack, max. output gain: +40 dBu
Output (preamp x10 ): 1 x 3.5 mm TS jack, max. output gain: +20 dBu
Output (env follower): 1 x 3.5 mm TS jack, max. output level: +14 V
Ring modulator
Output: 1 x 3.5 mm TS jack, output level: -10 V to +10 V
Noise generator
Output: 1 x 3.5 mm TS jack, output level: -10 V to +10 V
Voltage processor
Inverter 1 output: 1 x 3.5 mm TS jack, output level: -10 V to +10 V
Inverter 2 output: 1 x 3.5 mm TS jack, output level: -10 V to +10 V
Lag output: 1 x 3.5 mm TS jack, output level: -10 V to +10 V
Sample & hold
Internal clock out: 1 x 3.5 mm TS jack, max. output level: +10 V
S/H out: 1 x 3.5 mm TS jack, max. output level: +14 V
Portamento / keyboard
Trig out: 1 x 3.5 mm TS jack, output level: +14 V
Upper voice: 1 x 3.5 mm TS jack, max. output level: +10 V
Gate out: 1 x 3.5 mm TS jack, output level: +10 V
Keyboard CV output: 1 x 3.5 mm TS jack, max. output level: +7 V
Phones
Type: 1 x 1/8" TRS jack, stereo
Max. output level: 5 dBu
Output impedance: 8 Ω
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