Korg Opsix MKII Altered FM Synthesizer (37 keys)
| Product # | 247650 |
| Brand | Korg |
| Category | Synthesizer |
| Brand Category | Korg - Synthesizers |
Recommended accessories
- - Versatile Altered FM Synthesizer
- - Classic FM synthesis with 6 operators
- - 37 standard-sized velocity-sensitive keys
- - Innovative operator mixer with clever color coding of controls
- - 40 algorithms + user algorithms (at program level)
- - 6 operator modes (FM, Ring Mod, Filter, Filter FM, Wave Folder, Effect)
- - Polyphony: 64 voices
- - New operator mixer color design (controls with green markings)
- - Multimode filter with 11 different filter types
- - 3 envelopes
- - 3 LFOs
- - 12 virtual patch connections
- - 3 effect blocks with 30 effects each
- - Polyphonic step sequencer with 16 steps and motion sequencing
- - Inspiring arpeggiator with 7 different Pattern
- - 500 program memories (250 presets, overwritable + 250 user programs)
- - 64 favorite memories (16 slots x 4 banks)
- - Randomize function to generate new sounds on a random basis
- - Pitch bend and modulation wheels
- - Connections: headphone output, L/Mono and R outputs, damper pedal input, MIDI IN/OUT, USB Type B
- - Dimensions (W x D x H): 565 x 338 x 90 mm
- - Weight: 2.9kg
- - Scope of delivery: External power supply (DC 12 V), download code for extensive software bundle
- Sound generating system: Altered FM sound generator
- Maximum Polyphony: 64 voices (varies depending on the setting)
- Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator
- Algorithm: 40 presets + user algorithm (unique to each program)
- Operator: 6 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder, Effect)
- Oscillator waveform: 23 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White, Noise Pink, Noise Blue)
- Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)
- EG: ADSR
- LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)
- V.Patch: 12 routings
- Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)
- Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step) / Motion Sequencer (up to 6 lanes)
- Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER)
- Number of programs: 500 (350 preset programs and 150 user programs as the factory-set default)
- FAVORITE: 64 (16 Slots × 4 Banks)
- Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1–6 knobs, LEVEL OP 1–6 sliders, DATA ENTRY A–F knobs
Inputs/Outputs:
- Headphone (6.3 mm stereo phone jack)
- OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks)
- DAMPER (6.3 mm phone jack, half-damper not supported)
- MIDI IN and OUT connectors
- USB B port
- Power supply: AC adapter (DC12V)
- Power consumption: 5 W
- Dimensions (W × D × H): 565 × 338 × 90 mm / 22.24" × 13.31" × 3.54"
- Weight: 2.9 kg / 6.93 lbs.
- Included items: AC adapter
- Accessories (sold separately): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch
| Key attributes | |
|---|---|
| Model | Synthesizer |
| Number of Keys | 37 |
| Keyboard Type | Aftertouch |
| Colour | Black |
| Speakers | No |
| Synthesizer attributes | |
|---|---|
| Display | Yes |
| Battery Operated | No |
| Cover | No |
| Pedal | Not Included |
| Built-in Tones | Yes |
| Stand | Not Included |
| MIDI Interface | USB to Host |
| Product Details | |
|---|---|
| Product Number | 247650 |
| Brand | |
| Category | |
| Brand Category | |
| Relevancy rank in Category Synthesizer | |
| Date | April 2024 |
| Product Quantity | |
|---|---|
| Unit | 1 piece(s) |
View different language product reviews (1)
I can't believe it! In 1987, I bought a used DX7 and became fascinated with FM synthesis. I loved the sounds and the difference it brought to the world of sound at the time. However, FM synthesis was incredibly complicated to use, which didn't stop me from falling in love with a SY 88 (AFM) and eventually the Montage 6 (FMX). But unfortunately, this type of synthesis remained extremely difficult to manipulate. Then Korg released the Opsix! This time, FM synthesis is ultra-accessible. The control of the operators is clear, and you can directly adjust their volume, harmonics, and feedback. It's brilliant! And new functions are added to the operators, such as wave shaping and ring modulation: This opens up completely new possibilities (including lush pads). It's not a small synthesizer that reminds you of the DX7 (as Yamaha also released the Reface), but rather a powerful super DX7! The front panel has 6 assignable knobs that provide access to all stages of the synthesis, just like the new analog synthesizers that are respected. The sound is magnificent and precise, and to top it all off, there's an arpeggiator and a step sequencer. The effects processor completes the prestigious sound produced by the entire system: Wonderful effects, like those we've come to expect from Korg, including amp simulations. If you love the particular flavor of FM, go for it!
I can't believe it! In 1987, I bought a used DX7 and became fascinated with FM synthesis. I loved the sounds and the difference it brought to the world of sound at the time. However, FM synthesis was incredibly complicated to use, which didn't stop me from falling in love with a SY 88 (AFM) and eventually the Montage 6 (FMX). But unfortunately, this type of synthesis remained extremely difficult to manipulate. Then Korg released the Opsix! This time, FM synthesis is ultra-accessible. The control of the operators is clear, and you can directly adjust their volume, harmonics, and feedback. It's brilliant! And new functions are added to the operators, such as wave shaping and ring modulation: This opens up completely new possibilities (including lush pads). It's not a small synthesizer that reminds you of the DX7 (as Yamaha also released the Reface), but rather a powerful super DX7! The front panel has 6 assignable knobs that provide access to all stages of the synthesis, just like the new analog synthesizers that are respected. The sound is magnificent and precise, and to top it all off, there's an arpeggiator and a step sequencer. The effects processor completes the prestigious sound produced by the entire system: Wonderful effects, like those we've come to expect from Korg, including amp simulations. If you love the particular flavor of FM, go for it!