Korg Opsix SE Platinum Altered FM Synthesizer / Limited Edition (61 keys / incl. hardcase)
| Product # | 244797 |
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- Hard case
- - Altered FM synthesizer with 6 operators
- - Premium keyboard with 61 keys and Aftertouch
- - Elegant and robust metal housing
- - Versatile sound generation with FM, subtractive synthesis, virtual-semi-modular synthesis, virtual-analog synthesis, waveshaping and additive synthesis
- - Clear operator mixer with 6 color-coded faders and rotary controls each
- - Maximum polyphony: 80 voices (actual polyphony may vary depending on sound settings)
- - Structure: 6 operators, 1 filter, 3 envelope generators, 3 LFOs, 3 effects
- - 40 algorithms + user algorithm (per sound program)
- - 23 different waveforms
- - 11 different filter types including MS-20 and Polysix
- - 3 effect blocks à 30 effect types
- - High-contrast OLED display
- - Intuitive operation via 6 data entry knobs
- - Virtual patchbay with 12 different routings
- - Polyphonic step sequencer with 16 steps (up to 6 notes per step) and motion sequencing for up to 6 parameter values
- - Versatile arpeggiator with 7 different Pattern
- - Inspiring randomization feature to generate new sounds on a random basis
- - 500 sound storage locations (350 pre-assigned at the factory, can be overwritten)
- - 64 memory slots for favorite sounds (4 banks à 16 memory slots)
- - Free sound librarian software available for download
- - Comprehensive software bundle included
- - Matching hardcase included
- - Made in Japan
- Sound generation: Altered FM sound generation
- Maximum polyphony: 80 voices (The maximum number of voices varies depending on the sound setting.)
- Structure: 6 operators, 1 filter, 3 envelope generators, 3 LFOs, 3 effects, step sequencer, arpeggiator
- Algorithm: 40 presets + user algorithm (for each program separately)
- Operators: 6 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder, Effect)
- Oscillator waveforms: 23 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Sawtooth, Saw HD, Rectangle, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3 , Additives 1+4, Additives 1+5, Additives 1+6, Additives 1+7, Additives 1+8, sample & Hold noise, white noise, pink noise, blue noise)
- Filters: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)
- Envelope generator: ADSR
- LFO: 23 waveforms (Triangle, Sawtooth Down, Sawtooth Up, Square, Sine, Sample & sample , Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, Triangle+, Saw Down +, Saw Up +, Square+)
- V.Patch: 12 routings
- effects: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM), Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM), Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, delay, delay (BPM), Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM), Early Reflection, Reverb, Shimmer Reverb, spring reverb) x 3
Sequencers:
- Step sequencer (up to 16 steps, up to 6 notes per step)
- Motion sequencer (up to 6 tracks)
- Arpeggiator: 7 Pattern (Manual, Up, Down, Alt1, Alt2, Random, Trigger)
- Sound programs: 500 (350 presets and 150 user programs ex works)
- Favorites function: 64 memory slots (16 slots x 4 banks)
- Controller: modulation wheel, pitch wheel, ratio 1-6 knob, level 1-6 fader, data entry AF knob
Inputs and outputs:
- Headphone output (6.3 mm stereo jack)
- Output L/MONO and R (symmetrical 6.3 mm stereo jack)
- Damper (6.3 mm mono jack, half pedal function is not supported)
- MIDI IN and OUT
- USB Type-B
- Power supply: External power supply (DC 12V)
- Power consumption: 5 watts
- Dimensions (W x D x H): 1,014 x 344 x 108 mm
- Weight: 8.6kg
- Scope of delivery: power supply, hard case
- Accessories (optionally available): DS-1H sustain pedal, PS-3 foot switch
| Key attributes | |
|---|---|
| Model | Synthesizer |
| Number of Keys | 61 |
| Keyboard Type | Aftertouch |
| Colour | Silver |
| Speakers | No |
| Synthesizer attributes | |
|---|---|
| Display | Yes |
| Battery Operated | No |
| Cover | No |
| Pedal | Not Included |
| Built-in Tones | Yes |
| Stand | Not Included |
| MIDI Interface | MIDI |
| Product Details | |
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| Product Number | 244797 |
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| Relevancy rank in Category Synthesizer | |
| Date | September 2023 |
| Product Quantity | |
|---|---|
| Unit | 1 piece(s) |
View different language product reviews (1)
I can't believe it! In 1987, I bought a used DX7 and became fascinated with FM synthesis. I loved the sounds and the difference it brought to the world of sound at the time. However, FM synthesis was incredibly complicated to use, which didn't stop me from falling in love with a SY 88 (AFM) and eventually the Montage 6 (FMX). But unfortunately, this type of synthesis remained extremely difficult to manipulate. Then Korg released the Opsix! This time, FM synthesis is ultra-accessible. The control of the operators is clear, and you can directly adjust their volume, harmonics, and feedback. It's brilliant! And new functions are added to the operators, such as wave shaping and ring modulation: This opens up completely new possibilities (including lush pads). It's not a small synthesizer that reminds you of the DX7 (as Yamaha also released the Reface), but rather a powerful super DX7! The front panel has 6 assignable knobs that provide access to all stages of the synthesis, just like the new analog synthesizers that are respected. The sound is magnificent and precise, and to top it all off, there's an arpeggiator and a step sequencer. The effects processor completes the prestigious sound produced by the entire system: Wonderful effects, like those we've come to expect from Korg, including amp simulations. If you love the particular flavor of FM, go for it!
I can't believe it! In 1987, I bought a used DX7 and became fascinated with FM synthesis. I loved the sounds and the difference it brought to the world of sound at the time. However, FM synthesis was incredibly complicated to use, which didn't stop me from falling in love with a SY 88 (AFM) and eventually the Montage 6 (FMX). But unfortunately, this type of synthesis remained extremely difficult to manipulate. Then Korg released the Opsix! This time, FM synthesis is ultra-accessible. The control of the operators is clear, and you can directly adjust their volume, harmonics, and feedback. It's brilliant! And new functions are added to the operators, such as wave shaping and ring modulation: This opens up completely new possibilities (including lush pads). It's not a small synthesizer that reminds you of the DX7 (as Yamaha also released the Reface), but rather a powerful super DX7! The front panel has 6 assignable knobs that provide access to all stages of the synthesis, just like the new analog synthesizers that are respected. The sound is magnificent and precise, and to top it all off, there's an arpeggiator and a step sequencer. The effects processor completes the prestigious sound produced by the entire system: Wonderful effects, like those we've come to expect from Korg, including amp simulations. If you love the particular flavor of FM, go for it!