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The L12next combines the power of a digital mixer with analog-style operation.

The L12next combines the power of a digital mixer with analog-style operation. Three knobs per channel can deliver High/Mid/Low EQ control. With a simple switch you can also adjust gain, pan, and sends, offering hands-on mixing, just like an analog console.
Made for Live Performance

Made for Live Performance

The L12next puts you in total control, letting you mix with speed and confidence, whether you’re on stage or in the rehearsal room.

Everything You Need, On Every Channel

Everything You Need, On Every Channel

In addition to 60mm faders, each channel has three multi-function encoder knobs, giving you analog style control of gain, EQ, compression, panning, and sends. No more scrolling through menus.

Significantly Upgraded Preamps

Significantly Upgraded Preamps

The L12next’s upgraded preamps deliver clean gain (+70dB), low noise (–128 dBu EIN), and full input flexibility with Hi-Z, PAD, and +48 V phantom power.

A Recorder for Every Session

A Recorder for Every Session

The L12next has advanced recording features and captures up to 12 individual tracks at 24-bit/96 kHz, plus a stereo mix. Its new OLED screen streamlines recording controls and setup.

For Perfect Takes

For Perfect Takes

Newly added features such as Overdub Mode and Auto Punch In/Out allow precise layering and easy re-recording. The new File Select button allows you to easily load additional tracks to expand your mix.

Your Final Mix is Ready

Your Final Mix is Ready

The L12next’s master channel captures your mix in 32-bit float for pristine, clip-free sound, while the master Compressor adds warm, natural compression that enhances the overall mix.

Five Personal Mixes

Five Personal Mixes

With five independent Monitor Outs, each musician can have a personal mix. Outputs support a stereo mix for headphones and in-ears, or a mono mix for stage monitors, making it flexible for live or studio use.

For the Sound Guy

For the Sound Guy

The fifth monitor output is designed specifically for the engineer, letting them quickly monitor and adjust both the master and every custom mix. The built-in Talkback function makes it easy for everyone to communicate.

Custom Scene Recall

Custom Scene Recall

The L12next stores up to 10 scene memories, saving fader positions, EQ, pan, mutes and effects. Instantly recall mixes for live performances or recording in the studio.

LED Meters

LED Meters

The L12next’s LED meters show the volume level and encoder position for each channel. The new Fader Position button lets you quickly view saved fader positions when recalling scenes.

A Little FX Goes a Long Way

A Little FX Goes a Long Way

Enhance your sound with 16 onboard effects, such as delays and reverbs, with two easily accessible parameter controls.

Wireless Mixing Control

Wireless Mixing Control

Control your mix wirelessly with the L12next Control app for iPad. Adjust faders, scenes, EQ, effects, and more.

Hands-Free Control

Hands-Free Control

Connect the optional Zoom FS01 footswitch to control key functions like effect mutes, punch-in/out, and playback.

Rackmount

Rackmount

The optional RKL-12 rack mount adapter lets you mount your LiveTrak L12next in any standard rack.

Inputs:
- Mono (MIC/LINE): 8
- Stereo (LINE): 2
Outputs:
- MASTER OUT: 1
- MONITOR OUT: 5
Inputs:
Mono (MIC/LINE) Type: XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT)
Input gain:
- PAD off: +16 – +60 dB
- PAD on: −10 – +34 dB
- Hi-Z on: 0 – +44 dB (when gain boost off)
Input impedance:
- XLR: 4.6 kΩ or more
- TRS: 4.6 kΩ/1 MΩ (when Hi-Z on)
Maximum input level:
- PAD off: −2 dBu (at 0 dBFS)
- PAD on: +24 dBu (at 0 dBFS)
- Phantom power: +48 V
- Stereo (LINE) Type: TS phone jacks (unbalanced)
- Maximum input level: +14 dBu
Outputs:
- MASTER OUT Type: XLR jacks (balanced)
- Maximum output level: +14.5 dBu
- Output impedance: 200 Ω
- MONITOR OUT Type: Standard stereo phone jacks
- Maximum output level: 42 mW + 42 mW at 60 Ω
- Output impedance: 55 Ω
Buses:
- MASTER: 1
- MONITOR: 5
- SEND EFX: 1
Channel strip:
- COMP
- LOCUT: 40–600 Hz, 12 dB/OCT
EQ:
- HIGH: 10 kHz, ±15 dB, shelving
- MID: 100 Hz – 8 kHz, ±15 dB, peaking
- LOW: 100 Hz, ±15 dB, shelving
- PHASE
- Level meters: 8 segments
- Send effects: 16 types
Recorder:
- Maximum simultaneous recording tracks: 14
- Maximum simultaneous playback tracks: 12
- Recording formats: Individual tracks: 44.1/48/96 kHz, 16/24-bit, mono/stereo WAV
- Master tracks: 44.1/48/96 kHz, 16/24-bit or 32-bit float, mono/stereo WAV
- Recording media: 4–32GB cards compatible with the SDHC specification (class 10 or higher)
- 64GB–1TB cards compatible with the SDXC specification (class 10 or higher)
Audio interface:
Input and output channels:
- Recording: 14 channels
- Playback: 4 channels
- Sampling frequencies: 44.1/48/96 kHz
- Bit depths: 24-bit, 32-bit float
- Interface: USB 2.0
- Card reader: Mass storage class USB 2.0 High Speed
- Sample rates: 44.1/48/96 kHz
Frequency response:
44.1 kHz: −1.0 dB, 20 Hz – 20 kHz
- 96 kHz: −3.0 dB, 20 Hz – 40 kHz
- Equivalent input noise: Actual measurements: −128dB EIN (IHF-A) at +60dB/150Ω input
- Display: 128×64 OLED
- Power: AC adapter: ZOOM AD-19 (DC 5V/1A)
- Power consumption: 16 W maximum
- Dimensions: 445 mm (W) × 285 mm (D) × 73 mm (H)
- Weight (main unit only): 2.40 kg

Key attributes
Digital In/Out
None
Total Output Channels
6
Total Input Channels
12
Mixing Desk Type
Digital
General Information
Manufacturer information
Zoom Corporation
4-4-3 Kanda-Surugadai
null null
Japan

info@zoomna.com
Digital Mixing Console attributes
Analogue Outs
2
Equalizer Type
Parametric
Monitor-/Aux
5
Internal Effects Processor
Yes
Interface Functionality
USB Multitrack
19" Rackmount Option
Yes
+48V Phantom Power
Yes
Analogue Stereo Inputs
2
Analogue Inputs
10
Product Details
Product Number
254822
Brand
Zoom
Category
Digital Mixing Console
Brand Category
Zoom - Digital Mixers
Relevancy rank in Category Digital Mixing Console
3 of 66
Date
February 2026
Product Quantity
Unit
1 piece(s)
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4.8
(17)

View different language product reviews (14)

I bought this for use with a modular synth, and overall it works *mostly* well. Despite what an optional eurorack mounting kit might suggest, it does not handle modular levels well. Some attenuation is necessary to avoid clipping. For non-modular sources it works really well.

Operation
Features
Sound

Mixer preamp are not 'exeptional', they go easily in distortion. Dynamic quality not so good. The worse thing is thar headphone line is post-master.

Operation
Features
Sound