Access Virus TI 2 Keyboard
Synthesizer
CHF 3159.00
MSRP: CHF 3299.00
MSRP: CHF 3299.00
Free delivery in Switzerland
Product # | 134536 |
Brand | Access |
Category | Synthesizers | Brand Category | Access - Synthesizers |
Series | Access Virus Access Virus TI 2 |
Release date | June 2011 |
Availability | Will be ordered for you as quick as possibleNotify me |
Unit: 1 piece(s)
Description
The All New Virus TI Line
We are excited to announce the new VIRUS Total Integration (TI) Line of synthesizers, leading the world in a completely new direction with musical instrument and pro-audio convergence. TOTAL INTEGRATION uses innovative technology to greatly expand the VIRUS Synthesizer, resulting in an advanced stage/standalone instrument, while simultaneously extending the product capabilities with a suite of compelling studio integration features.
New synth features include greatly increased polyphony, 2 new oscillator types, a per-patch programmable arpeggiator, 16×2 delay/reverb fx, embedded singles in multi mode, and much more. The new TI products link to your computer with VIRUSControl[TM], a companion software product which ports the hardware synth into a host sequencer for use as a sample-accurate VST/AU instrument, simultaneously offering 2-way audio and MIDI connectivity, control surface functionality, editor and librarian functions, and more. Open Virus TI 3d annimation.
The First Totally Integrated Synthesizer
A scalable USB link connects the VIRUS to a Mac or PC for total integration of synth and studio. The VIRUSControl[TM] plug-in automatically detects and connects the synth, ensuring a hassle-free configuration every time.
From inside a host application, the plug-in enables the new VIRUS hardware to appear as a multi-channel VST/AU soft-synth with up to 4 sub-mixes (or 2 × stereo). Access' proprietary driver technology makes VIRUS TI the world's first hardware synthesizer with sample-accuracy timing and a delay-compensated audio/MIDI connection.
Seamless interconnectivity also provides a real benefit in the software sequencer environment. All multi-timbral sounds and settings used for a project are stored within it with the plug-in, for snapshot <> plus editor and librarian functions with no SysEx or 3rd party software hassles.
The new VIRUS hardware is also well-equipped to capitalize on the power of Total Integration. With 24-bit 192KHz balanced analog, S/PDIF I/O and MIDI in and out ports, the new VIRUS is well-suited for use as the main audio and MIDI I/O center for your entire rig. These functions are especially practical for the laptop studio, offering an unmatched range of features and capabilities from one product.
Additionally, a new <> allows the VIRUS hardware to become a control surface for any MIDI-capable device or software, mapping each of the 33 knobs to a specific MIDI message. TI ships with a great selection of templates and includes 32-user memories for custom controller maps. It's a powerful addition that greatly increases the value of the synth's studio footprint.
The Legendary Sound of Access: Evolved
Of course, TI is still a VIRUS, with all the soul of its legendary predecessors, but for Total Integration, the power and performance of the synth engine have been taken to new extremes, thanks to a newly optimized core which delivers unprecedented performance. For starters, polyphony is more than doubled, to 80 voices under average conditions.
And the sound? Phenomenal! Alongside the award-winning VIRUS oscillator models, two completely new types have been added. First is the real Wavetable oscillator model. This unique algorithm can blend waves to create evolving motion or switch between them to create gritty lo-fi textures.
The Amazing HyperSaw model can generate up to 9x the number of saws without using 9x the required polyphony. In fact, its polyphony is comparable to that of a single voice saw oscillator. With 2 Oscillators, each playing 9 main plus 9 subs (36 oscillators per key), you can still enable Unison mode and get impressive polyphonic results. In one test, we calculated over 2000 simultaneous saws! Now imagine all this, through Access' award winning filters, including MiniMoog cascade emulation, shaping raw, pulsating WaveTables or insanely fat HyperSaws. With its new features, the Virus has never done more or sounded better.
The Mod Matrix has also been expanded to 6 sources with three destinations each (18 routings total) for greater real-time control and patch programming freedom. The new <> syncs the effect of real-time or sequenced parameter changes to a pre-selected clock interval. Changes are updated on the selected pulse and held until the next, resulting in staggered parameter movements like those produced by a step sequencer.
New and existing Virus owners will love the addition of a programmable arpeggiator! Users can create and store their own rhythmic pattern in every patch.
Enhanced with new power and resources, Multi Mode now embeds 16 patches for self-contained sounds you can tweak and transform without overwriting your singles or affecting other Multi programs. Use it to build impressive layers, splits, or poly-arps for performance or recording. A mode for use with sequencers is also provided, emulating the classic Multi which loads sounds from within the single banks.
In either case, the complete sound engine is always available to each Multi part, including dedicated delay and separate reverb fx for all 16 sounds. In effect, the full VIRUS TI single modes is replicated 16 times!
We are excited to announce the new VIRUS Total Integration (TI) Line of synthesizers, leading the world in a completely new direction with musical instrument and pro-audio convergence. TOTAL INTEGRATION uses innovative technology to greatly expand the VIRUS Synthesizer, resulting in an advanced stage/standalone instrument, while simultaneously extending the product capabilities with a suite of compelling studio integration features.
New synth features include greatly increased polyphony, 2 new oscillator types, a per-patch programmable arpeggiator, 16×2 delay/reverb fx, embedded singles in multi mode, and much more. The new TI products link to your computer with VIRUSControl[TM], a companion software product which ports the hardware synth into a host sequencer for use as a sample-accurate VST/AU instrument, simultaneously offering 2-way audio and MIDI connectivity, control surface functionality, editor and librarian functions, and more. Open Virus TI 3d annimation.
The First Totally Integrated Synthesizer
A scalable USB link connects the VIRUS to a Mac or PC for total integration of synth and studio. The VIRUSControl[TM] plug-in automatically detects and connects the synth, ensuring a hassle-free configuration every time.
From inside a host application, the plug-in enables the new VIRUS hardware to appear as a multi-channel VST/AU soft-synth with up to 4 sub-mixes (or 2 × stereo). Access' proprietary driver technology makes VIRUS TI the world's first hardware synthesizer with sample-accuracy timing and a delay-compensated audio/MIDI connection.
Seamless interconnectivity also provides a real benefit in the software sequencer environment. All multi-timbral sounds and settings used for a project are stored within it with the plug-in, for snapshot <
The new VIRUS hardware is also well-equipped to capitalize on the power of Total Integration. With 24-bit 192KHz balanced analog, S/PDIF I/O and MIDI in and out ports, the new VIRUS is well-suited for use as the main audio and MIDI I/O center for your entire rig. These functions are especially practical for the laptop studio, offering an unmatched range of features and capabilities from one product.
Additionally, a new <
The Legendary Sound of Access: Evolved
Of course, TI is still a VIRUS, with all the soul of its legendary predecessors, but for Total Integration, the power and performance of the synth engine have been taken to new extremes, thanks to a newly optimized core which delivers unprecedented performance. For starters, polyphony is more than doubled, to 80 voices under average conditions.
And the sound? Phenomenal! Alongside the award-winning VIRUS oscillator models, two completely new types have been added. First is the real Wavetable oscillator model. This unique algorithm can blend waves to create evolving motion or switch between them to create gritty lo-fi textures.
The Amazing HyperSaw model can generate up to 9x the number of saws without using 9x the required polyphony. In fact, its polyphony is comparable to that of a single voice saw oscillator. With 2 Oscillators, each playing 9 main plus 9 subs (36 oscillators per key), you can still enable Unison mode and get impressive polyphonic results. In one test, we calculated over 2000 simultaneous saws! Now imagine all this, through Access' award winning filters, including MiniMoog cascade emulation, shaping raw, pulsating WaveTables or insanely fat HyperSaws. With its new features, the Virus has never done more or sounded better.
The Mod Matrix has also been expanded to 6 sources with three destinations each (18 routings total) for greater real-time control and patch programming freedom. The new <
New and existing Virus owners will love the addition of a programmable arpeggiator! Users can create and store their own rhythmic pattern in every patch.
Enhanced with new power and resources, Multi Mode now embeds 16 patches for self-contained sounds you can tweak and transform without overwriting your singles or affecting other Multi programs. Use it to build impressive layers, splits, or poly-arps for performance or recording. A mode for use with sequencers is also provided, emulating the classic Multi which loads sounds from within the single banks.
In either case, the complete sound engine is always available to each Multi part, including dedicated delay and separate reverb fx for all 16 sounds. In effect, the full VIRUS TI single modes is replicated 16 times!
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Properties
Inputs and Outputs
All connections to the outer world have been drastically improved
· 6 Symmetrical outs with +4dB studio level
· Optional Soft Limiting for every output
· 192 Khz/24bit D/A converters
· 2 Inputs with 24-bit A/D converters
· 4 different input sensitivities
· USB for audio, midi and data connection
· USB2 compatible device, 12Mbit data transfer rate
· S/PDIF In/Out for Digital I/O.
· Dedicated headphone out.
· Pure Tuning (Licensed
Electrical and environmental requirements
· Line voltage: 100-240V AC
· Frequency: 50Hz to 60Hz, single phase
· Maximum continuous power: 30W
· Operating temperature: 50° to 95° F (10° to 35° C)
· Storage temperature: -40° to 116° F (-40° to 47° C)
· Relative humidity: 5% to 95% noncondensing
· Maximum altitude: 10,000 feet
- Weight: 13.800kg
- Height: 115mm
- Width: 995mm
- Depth: 370mm
All connections to the outer world have been drastically improved
· 6 Symmetrical outs with +4dB studio level
· Optional Soft Limiting for every output
· 192 Khz/24bit D/A converters
· 2 Inputs with 24-bit A/D converters
· 4 different input sensitivities
· USB for audio, midi and data connection
· USB2 compatible device, 12Mbit data transfer rate
· S/PDIF In/Out for Digital I/O.
· Dedicated headphone out.
· Pure Tuning (Licensed
Electrical and environmental requirements
· Line voltage: 100-240V AC
· Frequency: 50Hz to 60Hz, single phase
· Maximum continuous power: 30W
· Operating temperature: 50° to 95° F (10° to 35° C)
· Storage temperature: -40° to 116° F (-40° to 47° C)
· Relative humidity: 5% to 95% noncondensing
· Maximum altitude: 10,000 feet
- Weight: 13.800kg
- Height: 115mm
- Width: 995mm
- Depth: 370mm
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