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Midas DM16
12 Mono + 4 Stereo Channel Mixer
EUR 349.00
Incl. VAT, free shipping in Germany
| Product # | 240723 |
| Brand | Midas |
| Category | 12 Mono + 4 Stereo Channel Mixers |
| Release date | April 2023 |
| Availability |  Will be ordered for you as quick as possible |
Unit: 1 piece(s)
Description
DM16
The compact DM16 honours your stage or studio desktop space, while providing incredible sonic performance, amazing versatility – and an unheard of level of affordability. What is the secret behind DM16’s superb, studio-quality sound? The DM16 features 12 award-winning, MIDAS microphone preamplifiers with true +48 V Phantom Power, acclaimed by audio engineers the world over for their transparency and nuanced low noise, high-headroom design. Add to this TRS Line Inputs on all 16 channels (8 mono and 2 stereo), mono channel Inserts and 3-band EQ with mid-frequency sweep, 2 switchable pre/post-fader aux sends, 2 monitor outs and 2-track RCA I/O, and you have an analogue work of art – the fully featured DM16!
Live Performance and Studio Recording
With 16 channels, the DM16 has more than enough microphone and line inputs to manage a small band or worship team with channels to spare – both on the stage and in the studio. It is also the ideal choice for use as a keyboard or drum sub-mixer for larger scale performances.
Dedicated Stereo Inputs
Line channels 13/14 - 15/16 are dedicated stereo channels, making them ideal for stereo instruments, such as keyboards – and can also be used for mono signals thanks to a convenient balance control on each 2-channel grouping. These channels can also be used as return inputs for signals sent external effects processing equipment.
The audio mixing console shall be an analogue design suitable for use in live performance and studio recording, and equipped with 12 MIDAS microphone preamplifiers.
The mixing console shall have 12 mono channels, and each shall provide the following: 1 balanced XLR microphone input, 1 balanced ¼ " TRS line level input, and a ¼ " TRS Insert. A gain control shall provide adjustment of the input signal from 10 to 60 dB (mic) and -10 to +40 dB (line). An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ mid control shall provide a range of 15 dB of boost and cut, and a mid-sweep control shall provide peak EQ adjustment from 150 Hz to 3.5 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall provide adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A pan control shall position the mono channel in the mix.
A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm mono channel fader shall allow adjustment of the channel level in the mix.
The mixing console shall have 2 stereo channels, and each shall provide the following: 2 balanced ¼ " TRS line level inputs. A stereo gain control shall provide adjustment of the input signal from -20 to +20 dB. An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall offer adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A balance control shall position the stereo channels in the mix. A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm stereo channel fader shall allow adjustment of the channel levels in the mix.
The mixing console shall be provided with 2 balanced ¼ " TRS Auxiliary outputs. Each mono and stereo channel shall have an Aux 1 and Aux 2 level control. Each Aux output shall be provided with a pre-fader/post-fader switch.
The mixing console shall be provided with 2 balanced ¼ " TRS monitor outputs. Level adjustment shall be provided with a local level control. The output shall be a copy of the main mix, or the pre-fader output from any soloed channels (channel PFL switch engaged), or the 2 track input. The mixing console shall be provided with 2 unbalanced RCA line level inputs, and 2 switches shall allow the input signals to be routed to the main mix, or to the monitor outputs. There shall be 2 unbalanced RCA line level outputs to allow the main mix to be recorded.
The mixing console shall be provided with 1 stereo ¼ " TRS output for headphone monitoring of the main mix, or soloed channels (channel PFL switch engaged). Level adjustment shall be provided by a Phones level control.
The mixing console shall be provided with 2 balanced XLR outputs to send out the final left/right mix to external amplifiers and equipment. Adjustment of the final mix output shall be provided by 2x 60 mm master faders. 2 ¼ " TRS main out insert jacks shall be provided.
Global 48 Volt phantom power shall be provided to each microphone input via a phantom power switch. A +48V LED shall indicate when phantom power is activated.
2 LED ladders shall indicate the levels of the main mix, or soloed channels (channel PFL switch engaged). An LED will indicate when the mixer is powered on, and a PFL LED will indicate when the meters are monitoring soloed channels.
The mixing console shall be provided with an internal switch mode power supply, capable of operation at AC voltages ranging from 100 to 240 VAC, at 50/60 Hz. The mains connection shall be a standard IEC receptacle.
The mixing console shall have 12 mono channels, and each shall provide the following: 1 balanced XLR microphone input, 1 balanced ¼ " TRS line level input, and a ¼ " TRS Insert. A gain control shall provide adjustment of the input signal from 10 to 60 dB (mic) and -10 to +40 dB (line). An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ mid control shall provide a range of 15 dB of boost and cut, and a mid-sweep control shall provide peak EQ adjustment from 150 Hz to 3.5 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall provide adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A pan control shall position the mono channel in the mix.
A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm mono channel fader shall allow adjustment of the channel level in the mix.
The mixing console shall have 2 stereo channels, and each shall provide the following: 2 balanced ¼ " TRS line level inputs. A stereo gain control shall provide adjustment of the input signal from -20 to +20 dB. An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall offer adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A balance control shall position the stereo channels in the mix. A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm stereo channel fader shall allow adjustment of the channel levels in the mix.
The mixing console shall be provided with 2 balanced ¼ " TRS Auxiliary outputs. Each mono and stereo channel shall have an Aux 1 and Aux 2 level control. Each Aux output shall be provided with a pre-fader/post-fader switch.
The mixing console shall be provided with 2 balanced ¼ " TRS monitor outputs. Level adjustment shall be provided with a local level control. The output shall be a copy of the main mix, or the pre-fader output from any soloed channels (channel PFL switch engaged), or the 2 track input. The mixing console shall be provided with 2 unbalanced RCA line level inputs, and 2 switches shall allow the input signals to be routed to the main mix, or to the monitor outputs. There shall be 2 unbalanced RCA line level outputs to allow the main mix to be recorded.
The mixing console shall be provided with 1 stereo ¼ " TRS output for headphone monitoring of the main mix, or soloed channels (channel PFL switch engaged). Level adjustment shall be provided by a Phones level control.
The mixing console shall be provided with 2 balanced XLR outputs to send out the final left/right mix to external amplifiers and equipment. Adjustment of the final mix output shall be provided by 2x 60 mm master faders. 2 ¼ " TRS main out insert jacks shall be provided.
Global 48 Volt phantom power shall be provided to each microphone input via a phantom power switch. A +48V LED shall indicate when phantom power is activated.
2 LED ladders shall indicate the levels of the main mix, or soloed channels (channel PFL switch engaged). An LED will indicate when the mixer is powered on, and a PFL LED will indicate when the meters are monitoring soloed channels.
The mixing console shall be provided with an internal switch mode power supply, capable of operation at AC voltages ranging from 100 to 240 VAC, at 50/60 Hz. The mains connection shall be a standard IEC receptacle.
Attributes
Product Dimensions
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12 Mono + 4 Stereo Channel Mixer attributes
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Product Details
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Dimension
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Properties
- Live performance and studio recording analogue mixer with 16 input channels
- 12 mono input channels with award-winning Midas microphone preamplifiers
- 2 electronically-balanced stereo line input channels on 1/4" TRS connectors
- 3 band EQ on mono channels with swept mid band
- 2 aux sends with pre/post fader switching
- 60 mm precision long-life faders
- Rugged chassis construction for durability in portable applications
- Auto-ranging universal switch-mode power supply
- Weight: 5.000kg
- Height: 95mm
- Width: 438mm
- Depth: 370mm
- 12 mono input channels with award-winning Midas microphone preamplifiers
- 2 electronically-balanced stereo line input channels on 1/4" TRS connectors
- 3 band EQ on mono channels with swept mid band
- 2 aux sends with pre/post fader switching
- 60 mm precision long-life faders
- Rugged chassis construction for durability in portable applications
- Auto-ranging universal switch-mode power supply
- Weight: 5.000kg
- Height: 95mm
- Width: 438mm
- Depth: 370mm
Specifications
- Mono Inputs
- Mic inputs (MIDAS mic preamp): 12
- Type: XLR, balanced
- Mic EIN @ 60 dB gain, 50 ? source at insert send: -131 dBu, unweighted, 20 Hz to 20 kHz
- Mic EIN @ 60 dB gain, 150 ? source at insert send: -128 dBu, unweighted, 20 Hz to 20 kHz
- Noise @ 10dB Gain, at insert send: -97 dBu, unweighted, 20 Hz to 20 kHz
- Frequency response (-1 dB) at main output: 20 Hz to 20 kHz (-1 dB)
- Frequency response (-3 dB) at main output: 70 kHz (-3 dB)
- Mic Gain range: +10 dB to +60 dB
- Max. input level: +11 dBu @ +10 dB gain
- CMRR @ +60dB gain: Typically -90 dB
- Impedance: 2 kO, balanced
- Distortion (THD+N) at 0 dBu: 0.005% @ 1kHz
- Phantom power: Switchable, +48 V
- Line Input
- Type: ¼" TRS, balanced
- Impedance: 20 kO balanced / unbalanced
- Line Gain range: -10 dB to +40 dB
- Max. input level: +30 dBu
- Stereo Inputs
- Type: 4 x ¼" TRS connector, balanced
- Impedance: 20 kO balanced / unbalanced
- Gain range: -20 dB to +20 dB
- Max. input level: +21 dBu
- Equaliser
- Low: ±15 dB @ 80 Hz, shelving
- Mid (mono inputs only): ±15 dB @ 150 Hz to 3.5 kHz, variable semi-parametric
- High: ±15 dB @ 12 kHz, shelving
- Channel Inserts
- Type: ¼" TRS connector, unbalanced
- Max. input / output level: +21 dBu
- Aux Sends
- Type: 2 x ¼" TRS connector, balanced
- Impedance: 240 O balanced, 120 O unbalanced
- Max. output level: +21 dBu
- Monitor Out
- Type: 2 x ¼" TRS connector, balanced
- Impedance: 240 O balanced, 120 O unbalanced
- Max. output level: +21 dBu
- Main Out
- Type: 2 x XLR, electronically balanced
- Impedance: 100 O balanced, 50 O unbalanced
- Max. output level: +21 dBu
- Main Out Inserts
- Type: 2 x ¼" TRS connector, unbalanced
- Max. input / output level: +21 dBu
- Phones Output
- Type: ¼" TRS connector, unbalanced
- Impedance: 25 O
- Max. output level: +21 dBu
- 2-Track Input
- Type: 2 x RCA, unbalanced
- Impedance: 20 kO
- Max. input level: +21 dBu
- Record Out
- Type: 2 x RCA, unbalanced
- Impedance: 1 kO
- Max. output level: +21 dBu
- Main Mix System Noise
- Main mix @ -?, channel fader @ -?: -104 dBu, unweighted, 20 Hz to 20 kHz
- Main mix @ 0 dB, channel fader @ -?: -91 dBu, unweighted, 20 Hz to 20 kHz
- Main mix @ 0 dB, channel fader @ 0 dB: -84 dBu, unweighted, 20 Hz to 20 kHz
- Power Supply / Voltage (Fuses)
- Switch mode power supply: 100-240 V~ 50/60 Hz, switchable (T 1.6 A H 250 V)
- Power consumption: 40 W
- Mains connection: Standard IEC receptacle
- Mic inputs (MIDAS mic preamp): 12
- Type: XLR, balanced
- Mic EIN @ 60 dB gain, 50 ? source at insert send: -131 dBu, unweighted, 20 Hz to 20 kHz
- Mic EIN @ 60 dB gain, 150 ? source at insert send: -128 dBu, unweighted, 20 Hz to 20 kHz
- Noise @ 10dB Gain, at insert send: -97 dBu, unweighted, 20 Hz to 20 kHz
- Frequency response (-1 dB) at main output: 20 Hz to 20 kHz (-1 dB)
- Frequency response (-3 dB) at main output: 70 kHz (-3 dB)
- Mic Gain range: +10 dB to +60 dB
- Max. input level: +11 dBu @ +10 dB gain
- CMRR @ +60dB gain: Typically -90 dB
- Impedance: 2 kO, balanced
- Distortion (THD+N) at 0 dBu: 0.005% @ 1kHz
- Phantom power: Switchable, +48 V
- Line Input
- Type: ¼" TRS, balanced
- Impedance: 20 kO balanced / unbalanced
- Line Gain range: -10 dB to +40 dB
- Max. input level: +30 dBu
- Stereo Inputs
- Type: 4 x ¼" TRS connector, balanced
- Impedance: 20 kO balanced / unbalanced
- Gain range: -20 dB to +20 dB
- Max. input level: +21 dBu
- Equaliser
- Low: ±15 dB @ 80 Hz, shelving
- Mid (mono inputs only): ±15 dB @ 150 Hz to 3.5 kHz, variable semi-parametric
- High: ±15 dB @ 12 kHz, shelving
- Channel Inserts
- Type: ¼" TRS connector, unbalanced
- Max. input / output level: +21 dBu
- Aux Sends
- Type: 2 x ¼" TRS connector, balanced
- Impedance: 240 O balanced, 120 O unbalanced
- Max. output level: +21 dBu
- Monitor Out
- Type: 2 x ¼" TRS connector, balanced
- Impedance: 240 O balanced, 120 O unbalanced
- Max. output level: +21 dBu
- Main Out
- Type: 2 x XLR, electronically balanced
- Impedance: 100 O balanced, 50 O unbalanced
- Max. output level: +21 dBu
- Main Out Inserts
- Type: 2 x ¼" TRS connector, unbalanced
- Max. input / output level: +21 dBu
- Phones Output
- Type: ¼" TRS connector, unbalanced
- Impedance: 25 O
- Max. output level: +21 dBu
- 2-Track Input
- Type: 2 x RCA, unbalanced
- Impedance: 20 kO
- Max. input level: +21 dBu
- Record Out
- Type: 2 x RCA, unbalanced
- Impedance: 1 kO
- Max. output level: +21 dBu
- Main Mix System Noise
- Main mix @ -?, channel fader @ -?: -104 dBu, unweighted, 20 Hz to 20 kHz
- Main mix @ 0 dB, channel fader @ -?: -91 dBu, unweighted, 20 Hz to 20 kHz
- Main mix @ 0 dB, channel fader @ 0 dB: -84 dBu, unweighted, 20 Hz to 20 kHz
- Power Supply / Voltage (Fuses)
- Switch mode power supply: 100-240 V~ 50/60 Hz, switchable (T 1.6 A H 250 V)
- Power consumption: 40 W
- Mains connection: Standard IEC receptacle
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Midas DM16
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