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Walrus Audio Julia Chorus/Vibrato V2

Chorus Pedal
  • Walrus Audio Julia Chorus/Vibrato V2
  • Walrus Audio Julia Chorus/Vibrato V2
  • Walrus Audio Julia Chorus/Vibrato V2
  • Walrus Audio Julia Chorus/Vibrato V2
  • Walrus Audio Julia Chorus/Vibrato V2
  • Walrus Audio Julia Chorus/Vibrato V2
  • Walrus Audio Julia Chorus/Vibrato V2
  • Walrus Audio Julia Chorus/Vibrato V2
EUR 219.00
Incl. VAT, free shipping in Germany
Fully analog, feature-rich chorus/vibrato packed with a wide array of tonal landscapes.

2020 update of award-winning, original JULIA pedal
Product Rating4.6 out of 5 | 3 Reviews |   Write a review

Description

The Julia is a fully analog, feature-rich chorus/vibrato packed with a wide array of tonal landscapes begging to be explored. Updated for 2020, Julia now has top mounted jacks, soft switch bypassing and updated art from Adam Forster. 
Julia is able to produce mild smooth chorus, to seasick vibrato and everywhere in between. With controls like Lag, Dry-Chorus-Vibrato Blend, and selectable analog LFO wave shapes, you are able to dial in all types of classic and unique chorus/vibrato sounds; some settings giving a familiar feel while others are not found on traditional chorus pedals.
A special feature of the Julia is the Lag control. The Lag knob lets you set the center delay time that the LFO effect modulates from. From smooth and tight modulation at lower settings, to warbling detune at maximum, the Lag knob adds a new dimension to the traditional Chorus/Vibrato landscape. 

While most chorus/vibrato pedals offer a toggle to go between the two effects, we’ve provided a knob to blend between Dry, Chorus, into Vibrato (labeled d-c-v on the pedal). The Dry-Chorus-Vibrato Blend changes the ratio of dry to wet signal sent to the output. At minimum, you will hear no effect. Set it to noon for equal parts dry and wet – the traditional chorus setting. Set it to maximum for 100% wet – the traditional vibrato setting. Explore the ground between minimum and noon for adding slight amounts of movement to your dry signal (also making the Julia great on bass guitar). Explore the ground between noon and maximum for all sorts of unheard chorus/vibrato combinations. The Julia comes in a deep lavender colored enclosure with surf green ink, featuring original artwork of the water mystery, Julia revealing the tip of her hand telling more of her true story by Adam Forster.

In 1999, spectrographs picked up an unexplained sound emanating from dark ocean depths. The source of the sound was untracable. While most scientists attributed it to an iceberg draging the ocean floor, some skeptics began to understand the true source of the sound. Julia, the water demigoddess. Crying from the deep in a chorus of melancholy hymns, she remains to be uncaught but the pursuit for her is unceasing. Walrus has captured a fraction of her powers in the Julia Analog Chorus/Vibrato.

RATE – The Rate knob allows you to set the speed at which the LFO sweeps. From little to no movement at lower settings, to wild wackiness at max.

DEPTH – The Depth knob allows you to change the amplitude of the LFO. From no movement to deep sweeping modulation.

LAG – The Lag knob lets you set the center delay time that the LFO modulates around. From smooth tight modulation at lower settings, to noisy nauseating detune at maximum, the Lag knob adds a new dimension to the traditional Chorus/Vibrato landscape.

WAVE SWITCH – The Wave switch lets you select either sine or triangle LFO waveforms. The sharper corners of the triangle wave generally sound more appealing for chorus type effects, and the more round shape of the sine wave generally sound better with vibrato type effects.

D-C-V BLEND – The Dry-Chorus-Vibrato Blend changes the ratio of dry to wet signal sent to the output. At minimum, you will hear no effect. Set it to noon for equal parts dry and wet – the traditional chorus setting. Set it to maximum for 100% wet – the traditional vibrato setting.

Attributes

Product Details
Product Number 212899
Brand Walrus Audio
Series Modulation / Octave
Category Chorus Pedal
Brand Category Walrus Audio - Chorus
Relevancy rank 11 of 61
Date January 2020
Dimension
Weight 0.3kg
Box Depth 230mm
Box Height 130mm
Gross Weight 0.54kg

Properties

- All analog Chorus/Vibrato
- From mild-smooth Chorus to seasick Vibrato and everywhere in between
- Create all classic and unique chorus/vibrato sounds
- Control elements: rate, depth, lag, d-c-v, wave-shape
- “Lag” sets the voicing of the Chorus effect (from smooth/tight modulation to warbling detune)
- “Lag” controls center delay time that the LFO effect modulates from
- Selectable analog wave-shape: sine, triangle
- “d-c-v” knob to blend between dry-, chorus- and vibrato-sounds (dry-wet-ratio)
- Top mounted input-, output- and power-jacks
- Soft switch relay bypassing
- “Smart bypass switching” temporarily activates effect
- Updated version of award-wining JULIA Chorus pedal
- Works well on bass-guitar (thanks to “d-c-v” control)

- Weight: 0.300kg

Specifications

- Exact size of the diecast enclosure is 4.77” x 2.9” x 2.3”.
- Power requirements are 9VDC (30mA minimum)

Reviews (3)

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<3

Amazing sound...

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Brand

Art and Performance. Walrus Audio is a collective of artists, musicians and engineers attempting to find the balance between art and performance in sound manipulation. Throughout the years we have been inspired by sounds created by our favorite companies: the perfect breakup on an overdrive; a thick, punchy distortion; an endlessly sustained reverb; a self-oscillating delay. We had to give it a shot. Through many months of late night breadboarding sessions, circuit problem-solving, and sonic tweaking we have come up with a range of guitar pedals as versatile as they are functional. From smooth fuzz to cutting overdrive, our attempts have been to highlight the functions that we would want from these particular sounds. Once we had an accurate idea of the sounds we were creating, we then tried to capture the feel and representation of the pedals through their individual artwork. This process was made possible by Oklahoma artist and musician Nathan Price. Taking stylistic inspiration from classically animated films and using freehand sketching, Nathan has perfectly captured what our pedals should look like. It is our goal to make guitar effects that are as interesting to play as they are to look at. So that's what we are going to do.
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